19 results match your criteria: "the Denver Center for the Performing Arts[Affiliation]"

Nonlinear source-filter theory is applied to explain some acoustic differences between two contrasting male singing productions at high pitches: operatic style versus jazz belt or theater belt. Several stylized vocal tract shapes (caricatures) are discussed that form the bases of these styles. It is hypothesized that operatic singing uses vowels that are modified toward an inverted megaphone mouth shape for transitioning into the high-pitch range.

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Objectives: We quantified the recovery of voice following a 2-hour vocal loading exercise (oral reading).

Methods: Eighty-six adult participants tracked their voice recovery using short vocal tasks and perceptual ratings after an initial vocal loading exercise and for the following 2 days.

Results: Short-term recovery was apparent, with 90% recovery within 4 to 6 hours and full recovery at 12 to 18 hours.

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Phonation threshold pressure measurement with a semi-occluded vocal tract.

J Speech Lang Hear Res

August 2009

National Center for Voice and Speech, The Denver Center for the Performing Arts, Denver, CO, USA.

Purpose: The purpose of this article was to determine if a semi-occluded vocal tract could be used to measure phonation threshold pressure. This is in contrast to the shutter technique, where an alternation between a fully occluded tract and an unoccluded tract is used.

Method: Five male and 5 female volunteers phonated through a thin straw held between the lips.

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Objectives: We sought to determine whether full-cycle glottal width measurements could be obtained with a quantitative laryngeal imaging system using videostroboscopy, and whether glottal width and vocal fold length measurements were repeatable and reliable.

Methods: Synthetic vocal folds were phonated on a laboratory bench, and dynamic images were obtained in repeated trials by use of videostroboscopy and videokymography (VKG) with an imaging system equipped with a 2-point laser projection device for measuring absolute dimensions. Video images were also obtained with an industrial videoscope system with a built-in laser measurement capability.

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Nonlinear source-filter coupling in phonation: vocal exercises.

J Acoust Soc Am

April 2008

National Center for Voice and Speech, The Denver Center for the Performing Arts, Denver, Colorado, USA.

Nonlinear source-filter coupling has been demonstrated in computer simulations, in excised larynx experiments, and in physical models, but not in a consistent and unequivocal way in natural human phonations. Eighteen subjects (nine adult males and nine adult females) performed three vocal exercises that represented a combination of various fundamental frequency and formant glides. The goal of this study was to pinpoint the proportion of source instabilities that are due to nonlinear source-tract coupling.

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Refinements in modeling the passive properties of laryngeal soft tissue.

J Appl Physiol (1985)

July 2007

National Center for Voice and Speech, The Denver Center for the Performing Arts, Denver, CO 80204, USA.

The nonlinear viscoelastic passive properties of three canine intrinsic laryngeal muscles, the lateral cricoarytenoid (LCA), the posterior cricoarytenoid (PCA), and the interarytenoid (IA), were fit to the parameters of a modified Kelvin model. These properties were compared with those of the thyroarytenoid (TA) and cricothyroid (CT) muscles, as well as previously unpublished viscoelastic characteristics of the human vocal ligament. Passive parameters of the modified Kelvin model were summarized for the vocal ligament, mucosa, and all five laryngeal muscles.

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Voicing and silence periods in daily and weekly vocalizations of teachers.

J Acoust Soc Am

January 2007

National Center for Voice and Speech, The Denver Center for the Performing Arts, Denver, Colorado 80204, USA.

The National Center for Voice and Speech (NCVS) data bank on voice dosimetry was used to study the distributions of continuous voicing periods and silence periods in 31 teachers over the duration of two weeks. Recordings were made during all awake hours of the day. Voicing periods were grouped into half decades, ranging from 0.

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This paper discusses the effects of measurement uncertainties when calculating elastic moduli of laryngeal tissue. Small dimensions coupled with highly nonlinear elastic properties exacerbate the uncertainties. The sensitivity of both tangent and secant Young's Modulus was quantified in terms of the coefficient of variation, which depended on measurement of reference length and cross-sectional area.

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Review of range of arytenoid cartilage motion.

Acoust Res Lett Online

January 2000

National Center for Voice and Speech, The Denver Center for the Performing Arts, Denver, Colorado 80204.

Vocal fold abduction/adduction posturing is key to phonation control. As biomechanical models of the larynx increase in complexity, there is a need to verify them with laboratory data. To help experimental cross-validation of models, ranges of vocal process displacement were reviewed and combined.

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This article deals with the adaptation of a commercially available Pocket PC for use as a voice dosimeter, a wearable device that measures the vocal dose of teachers or other individuals on the job, at home, and elsewhere during the course of an entire day. An engineering approach for designing a voice dosimeter is described, and design data are presented. Technical issues include transducer selection, dynamic range, frequency response, memory requirements, power requirements, attachment, cables, connections, and data collection.

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Frequency and intensity ranges (in true decibel sound pressure level, 20 microPa at 1 m) of voice production in trained and untrained vocalists were compared with the perceived dynamic range (phons) and units of loudness (sones) of the ear. Results were reported in terms of standard voice range profiles (VRPs), perceived VRPs (as predicted by accepted measures of auditory sensitivities), and a new metric labeled as an overall perceptual level construct. Trained classical singers made use of the most sensitive part of the hearing range (around 3-4 kHz) through the use of the singer's formant.

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How accurately can sound pressure levels (SPLs) of speech be estimated from skin vibration of the neck? Measurements using a small accelerometer were carried out in 27 subjects (10 males and 17 females) who read Rainbow and Marvin Williams passages in soft, comfortable, and loud voice, while skin acceleration levels (SALs) and SPLs were simultaneously registered and analyzed every 30 ms. The results indicate that the mean SPL of voiced speech can be estimated with accuracy better than +/-2.8 dB in 95% of the cases when the subjects are individually calibrated.

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Frequency and intensity ranges in voice production by trained and untrained singers were superimposed onto the average normal human hearing range. The vocal output for all subjects was shown both in Voice Range Profiles and Spectral Level Profiles. Trained singers took greater advantage of the dynamic range of the auditory system with harmonic energy (45% of the hearing range compared to 38% for untrained vocalists).

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A voice range profile (VRP) was obtained from each of eight professional actors and compared with two speech range profiles (SRPs). One speech profile was obtained during the dramatic reading of a scene in the laboratory and the other during a performance on stage in a professional theater. The objective was to determine the pitch and loudness ranges used by the actors in speech relative to the VRP.

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A three-dimensional model of vocal fold abduction/adduction.

J Acoust Soc Am

April 2004

National Center for Voice and Speech, The Denver Center for the Performing Arts, Denver, Colorado 80204, USA.

A three-dimensional biomechanical model of tissue deformation was developed to simulate dynamic vocal fold abduction and adduction. The model was made of 1721 nearly incompressible finite elements. The cricoarytenoid joint was modeled as a rocking-sliding motion, similar to two concentric cylinders.

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Measurement of vocal doses in speech: experimental procedure and signal processing.

Logoped Phoniatr Vocol

March 2004

National Center for Voice and Speech, the Denver Center for the Performing Arts, 1245 Champa Street, Denver, CO 80204, USA.

An experimental method for quantifying the amount of voicing over time is described in a tutorial manner. A new procedure for obtaining calibrated sound pressure levels (SPL) of speech from a head-mounted microphone is offered. An algorithm for voicing detection (kv) and fundamental frequency (F0) extraction from an electroglottographic signal is described.

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Nineteen healthy young adult males with normal voice and speech attempted to sustain the vowel /u/ at a constant pitch (target: 180 Hz) and a constant and comfortable loudness level while receiving a sudden mechanical perturbation to the larynx (thyroid prominence) via a servo-controlled probe. The probe moved toward or away from the larynx in a ramp-and-hold fashion (3.3-mm displacement, 0.

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A new digital recording format, Minidisc (MD), shows promise for high-quality voice recordings. It is available in a portable size and uses magneto-optical recording techniques on a miniature compact disc. The disc can be recorded an unlimited number of times with essentially the same playback life span: however, the digital recording technique uses a data compression algorithm that may interfere with acoustic voice perturbation analysis.

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A method is reviewed for conversion of a microphone signal into calibrated Sound Pressure Level (SPL) units. The method follows American National Standards Institute (ANSI) standard for S1.4 SPL meters and requires an accurate SPL meter and an accurate calibration sound source for conversion.

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