Computerized text and voice analysis of patients with chronic schizophrenia in art therapy.

This explorative study of patients with chronic schizophrenia aimed to clarify whether group art therapy followed by a therapist-guided picture review could influence patients' communication behaviour. Data on voice and speech characteristics were obtained via objective technological instruments, and these characteristics were selected as indicators of communication behaviour. Seven patients were recruited to participate in weekly group art therapy over a period of 6 months.

Transparent Figures: Researching and Preserving Objects of Cellulose Acetate.

In 1935, the Deutsches Hygiene-Museum Dresden began to produce the so-called Transparent Figures, which became icons of the 20th century. This study aims to explore the effects of external agents such as humidity and temperature on the aging mechanism of the materials of the Transparent Figures and to slow it down through preventive measures. The focus is on cellulose acetate (CA), which was used for the outer skin of the Transparent Figures.

Evaluation of the Composition, Thermal and Mechanical Behavior, and Color Changes of Artificially and Naturally Aged Polymers for the Conservation of Stained Glass Windows.

Investigations of historical conservation materials on historical stained glass windows of the Naumburg Cathedral in Germany offered an opportunity for the study of polymers, naturally aged in a non-controlled environment. This allowed the conservation history of the cathedral to be traced and expanded by valuable insights. The historical materials were characterized through the use of spectroscopy (FTIR, Raman), thermal analysis, PY-GC/MS, and SEC on taken samples.

The light aging behavior of daylight fluorescent paints: a colorimetric, photographic, Raman spectroscopic and fluorescence spectroscopic study.

Unlabelled: Daylight fluorescent pigments with their intense color effects have attracted great interest among artists since their market launch in the mid-twentieth century. Since then they have been widely used in the visual arts. The pigments are mainly compositions of organic fluorescent dyes and optical brighteners diluted in an insoluble resin.