11 results match your criteria: "Art University of Isfahan[Affiliation]"

The Metallic Sounds: A Microanalytical Study on the Production of Armenian Church Bells from Iran.

Microsc Microanal

June 2023

Department of Administration, The Treasury of Armenian Music in New Julfa, Hakim Nezami Street, Sangtarashha Alley, Isfahan, Iran.

There are a considerable number of church bells in museums, examples include the museum of the Vank Cathedral and the Treasury of Armenian Music in New Julfa, both located in Isfahan, Iran. These objects were collected from different Armenian churches and cathedrals in Iran and were dated to ca. 400-100 years ago.

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Tabriz Historic Bazaar Complex (THBC) is one of the historical monuments of Iran. It has been registered in the list of The United Nations Educational, Scientific and Cultural Organization (UNESCO) World Heritage Sites. However, the destructive power and frequency of fires are the main threat to this bazaar.

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The morphology and composition of the corrosion products of archaeological arsenical copper alloys buried in a specific environment for a long time were investigated using optical microscopy (OM), scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS), micro X-ray fluorescence (μ-XRF), and X-ray diffraction (XRD). The analyses demonstrated that the alloy composition of the artifacts was copper-arsenic (Cu-AS) with significant amounts of lead in some samples. Cuprite, malachite, and copper (II) hydroxychlorides were observed on a completely mineralized matrix.

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The increasing prevalence of musculoskeletal disorders (MSDs), especially in the neck and upper limbs, among office workers is an important issue related to health and job productivity. The present study aimed to evaluate the effect of an ergonomics training intervention on MSDs, quality of work-life and occupational psychosocial stresses among office workers. This quasi-randomized trial study was conducted in Isfahan, Iran in 2019.

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Urban decay is the process by which a historical city center, or an old part of a city, falls into decrepitude and faces serious problems. Urban management, therefore, implements renewal mega projects with the goal of physical and functional revitalization, retrieval of socioeconomic capacities, and improving of quality of life of residents. Ignoring the complexities of these large-scale interventions in the old and historical urban fabrics may lead to undesirable consequences, including an additional decline of quality of life.

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This paper reports the results of studies performed on a painted stucco fragment excavated at the Ghaleh Guri in Ramavand, western Iran, and dated back to the late Sasanian period (224-651AD). Analytical studies including micro-Raman spectroscopy (μ-Raman), micro-X-ray spectrometry (μ-XRF) and optical microscopy showed that red lead and vermilion were used as main pigments on this fragment. Moreover, carbon black was diagnosed to thinly cover some parts of the red lead.

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This paper presents the results of our investigations on a playing card preserved at The Mūzih-i Āynih va Rushanāī in Yazd, Iran. Conducting micro X-ray fluorescence spectrometry (μ-XRF), micro-Raman spectroscopy (μ-Raman), infrared reflectography (IRR), ultraviolet fluorescence photography, radiography, and optical microscopy, various paints applied on the playing card were identified. According to our analytical studies, red, green, blue, black, and gold-like metallic paints were identified to be a red monoazo pigment (β-naphthol PR 53:1), chrome green, artificial ultramarine blue, carbon black, and brass powder (Dutch metal powder), respectively, dating the playing card to 1895 onward based on the manufacturing date of the red monoazo pigment.

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High-resolution microscopy investigations on ancient ceramics recommend the complex progression of crystalline phases in an antique object via the sintering process. Based on materials-science point of view, sintering is not a routinely reaction in all crystalline phases with the same crystallographic pattern, but also is a transition pathway. Sintering depends on the processing of raw materials via the manufacturing process.

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This paper addresses the application of infrared spectroscopy in combination with chemometrics to identify wall painting's binding medium while employing pattern recognition techniques to process FTIR data-set of complex samples. In this regard, based on the historical documents and previous researches, firstly 56 standard samples were prepared to represent strata of Persian wall paintings in the Safavid period in addition to real historic samples from the case study; Sukias mansion. Then, each sample was analysed by the means of FTIR and chemometrics.

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The pigments used in the wall paintings of the Masjid-i Jāme of Abarqū, central Iran, as less-known pigments used in the history of Persian painting, were investigated with micro-Raman spectroscopy, micro X-ray fluorescence (micro-XRF), scanning electron microscopy (SEM), and polarised light microscopy (PLM). The results showed that the green, red, and blue pigments were atacamite, red lead, and smalt mixed with natural ultramarine blue respectively applied on a white substrate composed of white huntite. Moreover, the blue smalt was identified to be used on the white huntite and under the paint layer in order to delineate the design of the wall paintings and to act as a rough sketch for the subsequent use of the other pigments.

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A multi-spectroscopic approach to the characterization of early glaze opacifiers: Studies on an Achaemenid glazed brick found at Susa, south-western Iran (mid-first millennium BC).

Spectrochim Acta A Mol Biomol Spectrosc

December 2013

Department of Physics and Earth Sciences, University of Ferrara, Ferrara, Italy; Faculty of Conservation, Art University of Isfahan, Isfahan, Iran. Electronic address:

This paper presents the results of micro-Raman spectroscopy, energy dispersive X-ray fluorescence (XRF), and scanning electron microscopy-energy dispersive X-ray spectroscopy (SEM-EDS) studies performed on an Achaemenid glazed brick found at Susa (mid-first millennium BC). The results showed that calcium antimonate (CaSb2O6) and lead antimonate (Pb2Sb2O7) were used as white and yellow opacifiers in the white and orange glazes respectively. Moreover, the mixture of calcium antimonate and lead antimonate were used as opacifier in the green glaze.

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