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The impact of art, storytelling, and STEAM-based approaches on creativity development in autistic youth and young adults: A mixed methods study protocol.
PLoS One
December 2024
Peck School of the Arts and College of Engineering and Applied Science, University of Wisconsin-Milwaukee, Milwaukee, Wisconsin, United States of America.
There are contradicting perspectives regarding autistics' ability to be creative. Some researchers cite autistics' underlying social communication and interaction differences, fixated interests, and inflexible patterns as fundamentally inhibiting creativity. However, many autistics refute this mindset and produce creative works as painters, sculptors, photographers, and graphic artists.
View Article and Find Full Text PDFPhotorealistic attention style transfer network for architectural photography photos.
Sci Rep
November 2024
College of Computer Science and Technology, Hengyang Normal University, Hengyang, China.
Architectural photography style transfer, a task in computer vision, employs deep learning algorithms to transform the style of architectural photograph while preserving key structure and content. Existing algorithms face challenges due to the intricate details of buildings, including diverse shapes, lines, and textures. Moreover, considerations for artistic effects in architectural photography style transfer, such as lighting, shadows, and atmosphere, require high-quality image generation algorithms.
View Article and Find Full Text PDFUnveiling the Composition of La Pajarita PVAc-Based Paints in Joan Miró's Studio and in Three Artworks from the 1970s.
Polymers (Basel)
November 2024
Heritage and Conservation Science, Department of Environmental Sciences, Informatics and Statistics, Ca' Foscari University of Venice, 30123 Venezia, Italy.
In this study, we present the first characterisation of the polyvinyl acetate (PVAc) paints of commercial Spanish brand La Pajarita preserved in the studios of Joan Miró (1893-1983) in Mallorca, Spain. Investigation of several black and white paint samples using complementary analytical techniques (XRD, SEM-EDX, FTIR, and Py-GC-MS) allowed for the identification of pigments and binding media in studio materials, as well as in three artworks dating from the 1970s. Through comparative analysis, it was possible to find significant similarities between the composition of La Pajarita paints conserved in cans in the artist's studio with black and white painted layers from three artworks by Miró.
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