The objective of this research is to study how the application of the Convolutional Neural Network (CNN) artistic filter can be an alternative to mitigate the emotional response to photographs with strong emotional content published in Internet news. Van Gogh's artistic style was extracted through a CNN and inoculated with 64 IAPS images chosen to cover the entire emotional space. 140 university students of both sexes (70 men and 70 women) with an average age of 22 years, evaluated 128 stimuli, 64 original and 64 digitally inoculated, giving the appearance that they were painted with the artistic style of Van Gogh. For the evaluation of the stimuli, four groups were established under the conditions: 1 high arousal-positive valence, 2 negative valence-low arousal, 3 high arousal-negative valence and 4, low arousal, positive valence. The original images (OI) tended to produce less pleasant effects, while the images inoculated with filters made with CNN provoked reactions with a tendency to calm. The most significant changes in the emotional states are observed in the valence, the stimuli with the inoculation of the artistic style produces alterations with a tendency to pleasant effects. The averages of the comparisons of the dimensions valence and arousal of the OI and the CNN allow to show that there are differences in the emotional states, the results can permit the development of a methodology that, based on the inoculation of the artistic style of original paintings through CNN in emotionally strong images, a new image is created that replaces the strong images published in the Internet news.
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http://dx.doi.org/10.1007/s00221-025-07030-x | DOI Listing |
Exp Brain Res
March 2025
Department of Basic Psychology II, National University of Distance Education, Office 2.38, Faculty of Psychology, UNED, Juan del Rosal 10, 28040, Madrid, Spain.
The objective of this research is to study how the application of the Convolutional Neural Network (CNN) artistic filter can be an alternative to mitigate the emotional response to photographs with strong emotional content published in Internet news. Van Gogh's artistic style was extracted through a CNN and inoculated with 64 IAPS images chosen to cover the entire emotional space. 140 university students of both sexes (70 men and 70 women) with an average age of 22 years, evaluated 128 stimuli, 64 original and 64 digitally inoculated, giving the appearance that they were painted with the artistic style of Van Gogh.
View Article and Find Full Text PDFIEEE Trans Vis Comput Graph
November 2024
Current sketch extraction methods either require extensive training or fail to capture a wide range of artistic styles, limiting their practical applicability and versatility. We introduce Mixture-of-Self-Attention (MixSA), a training-free sketch extraction method that leverages strong diffusion priors for enhanced sketch perception. At its core, MixSA employs a mixture-of-self-attention technique, which manipulates self-attention layers by substituting the keys and values with those from reference sketches.
View Article and Find Full Text PDFJAMA Oncol
February 2025
Department of Oncology, UCL Cancer Institute, University College London, London, United Kingdom.
R Soc Open Sci
February 2025
Wales Institute for Cognitive Neuroscience, School of Human and Behavioural Sciences, Bangor University, Bangor, UK.
The study of how we develop art knowledge can provide valuable insights into the underlying cognitive systems that support expertise and knowledge transfer to new contexts. An important and largely unanswered question is whether art knowledge training impacts subsequent judgements of artworks and executive functions. Across three pre-registered experiments ( > 630 total), which used a training intervention and Bayesian regression modelling, we explore whether art knowledge training impacts subsequent judgements of artworks and executive functions.
View Article and Find Full Text PDFIperception
February 2025
Department of Psychology, Faculty of Philosophy, University of Pristina in Kosovska Mitrovica.
This study introduces pictorial technique (PT) as an innovative method in empirical aesthetics to assess aesthetic impressions of visual artworks. Forty participants, drawn from general and artistic populations, evaluated nine paintings representing abstract, traditional figural, and modern figural styles using the PT and aesthetic rating scales. The PT enabled participants to mark impactful areas within artworks, transforming subjective impressions into spatial data visualized as heatmaps.
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