Bollywood, better known as the Hindi cinema industry, is globally renowned for its entertainment, yet it grapples with a persistent issue - the prevalence of sexist item songs. These dance sequences often objectify female actors, but prevalent research has predominantly focused on their consequences rather than the reasons behind their continued creation and acceptance. The paper traces the historical evolution of item songs and their socio-cultural root causes responsible for production and distribution. A mixed method approach was employed, data were collected from 310 working professionals using a convenience sampling technique and a thorough review of 62 articles from databases like Jstor, ProQuest, Google Scholar, and Springer. By employing a mixed method approach, this research statistically analyses the critical socio-cultural factors contributing to sexist song production, the societal impact of such songs, and the root causes of their depiction.•The approach explores how Bollywood reinforces gender norms through rewards and punishments, perpetuating the conformity of women to stereotypical roles.•Additionally, it investigates the Male Gaze theory in the context of Bollywood's portrayal of women as objects of desire.•It applies Cognitive Dissonance to understand the audience's resistance to change despite awareness of the harm caused by sexist songs.
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http://dx.doi.org/10.1016/j.mex.2025.103214 | DOI Listing |
MethodsX
June 2025
School of Social Sciences and Languages, Vellore Institute of Technology, Vandalur - Kelambakkam Road, Chennai 600127, Tamil Nadu, India.
Bollywood, better known as the Hindi cinema industry, is globally renowned for its entertainment, yet it grapples with a persistent issue - the prevalence of sexist item songs. These dance sequences often objectify female actors, but prevalent research has predominantly focused on their consequences rather than the reasons behind their continued creation and acceptance. The paper traces the historical evolution of item songs and their socio-cultural root causes responsible for production and distribution.
View Article and Find Full Text PDFNoise Health
March 2025
Nursing Department, Shanghai Sixth People's Hospital Affiliated to Shanghai Jiao Tong University School of Medicine, Shanghai, 200233, China.
Objective: This study aimed to explore the effects of short-term music therapy on primiparas' negative emotions and quality of life.
Methods: In this study, 101 pregnant women awaiting delivery in the obstetric department of the hospital from January 2022 to January 2023 were retrospectively analysed. Eleven pregnant women did not fulfil the inclusion criteria, resulting in the inclusion of 90 pregnant women.
PLoS One
February 2025
Music, School of Arts and Creative Technologies, University of York, York, United Kingdom.
Ideas of temporal distortion prevail in the discourse of flow research, where references are often made to "time flying". Nonetheless, little research has investigated how flow affects time perception in terms of both directionality and surrounding context, particularly within shared flow. Simultaneously, temporal distortion during music listening has been explored, but little is known about how time is experienced by performers.
View Article and Find Full Text PDFAudiol Res
January 2025
Otolaryngology Unit, Department of Traslational Medicine and Neuroscience-DiBrain, University of Bari, 70124 Bari, Italy.
Aim: The aim of this study was to assess the subjective experiences of adults with different cochlear implant (CI) configurations-unilateral cochlear implant (UCI), bilateral cochlear implant (BCI), and bimodal stimulation (BM)-focusing on their perception of speech in quiet and noisy environments, music, environmental sounds, people's voices and tinnitus.
Methods: A cross-sectional survey of 130 adults who had undergone UCI, BCI, or BM was conducted. Participants completed a six-item online questionnaire, assessing difficulty levels and psychological impact across auditory domains, with responses measured on a 10-point scale.
JCO Oncol Pract
January 2025
Mayo Clinic, Department of Internal Medicine, Division of Oncology, Rochester, MN.
Purpose: Over 50% of households in the United States have at least one musician-many musicians are also breast cancer survivors. This group has not been well studied, and given the level of fine sensory-motor skill required for musicianship, we hypothesized that musicians experience unique manifestations of breast cancer treatment toxicities.
Methods: A nine-item Musical Toxicity Questionnaire (MTQ) was distributed to patients who had consented to participate in the Mayo Clinic Breast Cancer Registry.
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