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Cognitive neuroscience of music: the whole is greater than the sum of its parts comment on "The major-minor mode dichotomy in music perception" by Giulio Carraturo, Victor Pando-Naude, Marco Costa, Peter Vuust, Leonardo Bonetti, Elvira Brattico.
Phys Life Rev
March 2025
Institute of Brain Science and Department of Physiology, School of Basic Medical Sciences, Hangzhou Normal University, Hangzhou, China.
Beyond valence: A predictive coding framework for major-minor mode perception and its therapeutic implications: Comment on "The major-minor mode dichotomy in music perception" by Carraturo et al.
Phys Life Rev
March 2025
State Key Laboratory of Cognitive Science and Mental Health, Institute of Psychology, Chinese Academy of Sciences, Beijing 100101, China; Department of Psychology, University of Chinese Academy of Sciences, Beijing 100049, China; Chinese Institute for Brain Research, Beijing 102206, China. Electronic address:
Emotional responses to musical mode: Do auditory and musical abilities play a role? Comment on "The major-minor mode dichotomy in music perception" by Carraturo et al.
Phys Life Rev
February 2025
Centro de Investigação e Intervenção Social (CIS-IUL), Instituto Universitário de Lisboa (ISCTE-IUL), Portugal; Department of Psychology, University of Toronto Mississauga, Canada. Electronic address:
The emotional connotations of major and minor: The role of harmonicity and pitch height: Comment on "The Major-Minor Mode Dichotomy in Music Perception" by Carraturo et al.
Phys Life Rev
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University of Graz, Austria. Electronic address:
The major-minor mode dichotomy in music perception.
Phys Life Rev
March 2025
Center for Music in the Brain, Department of Clinical Medicine, Aarhus University and The Royal Academy of Music, Aarhus/Aalborg, Aarhus, Denmark; Department of Education, Psychology, Communication, University of Bari Aldo Moro, Italy. Electronic address:
In Western tonal music, major and minor modes are recognized as the primary musical features in eliciting emotional responses. The underlying correlates of this dichotomy in music perception have been extensively investigated through decades of psychological and neuroscientific research, yielding plentiful yet often discordant results that highlight the complexity and individual differences in how these modes are perceived. This variability suggests that a deeper understanding of major-minor mode perception in music is still needed.
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