Objectives: To compare certain acoustic, aerodynamic, and perceptual parameters before and after an hour-long class to analyze vocal loading characteristics in female Bharatanatyam dance teachers.
Study Design: Prospective study.
Method: The study included 52 female Bharatanatyam dance teachers aged 19 to 40years. A brief case history was taken to recruit the participants and document the essential details. Multiparametric voice assessment was done before and after an hour-long dance class for the parameters Mean Intensity, Mean Pitch, Pitch Standard Deviation, Harmonics to Noise Ratio, Jitter percentage, Shimmer, Cepstral Peak Prominence, Acoustic Voice Quality Index, s/z ratio, Maximum Phonation Time (MPT), GRBAS, and Voice-Related Quality of Life assessment.
Results: Acoustic Voice Quality Index values above 2.22 in 65.38% of participants before class, indicative of dysphonia. The mean Voice-Related Quality of Life score was 1.98±1.67. The Wilcoxon signed-rank test showed significant differences in mean intensity (P=0.00) and jitter percentage (P=0.012). The paired t test revealed significant differences in mean pitch (P=0.00), Cepstral Peak Prominence (P=0.027), and MPT (P=0.00). No significant difference was found in the GRBAS grade evaluation (P=0.439) before and after the class.
Conclusion: In the present study, significant changes in several acoustic parameters, MPT, and Acoustic Voice Quality Index indicating dysphonia, highlight the impact of vocal loading on the voice of female Bharatanatyam dance teachers.
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http://dx.doi.org/10.1016/j.jvoice.2024.12.024 | DOI Listing |
J Voice
January 2025
Nitte Deemed to be University, Nitte Institute of Speech and Hearing, Mangalore, Karnataka, India. Electronic address:
Objectives: To compare certain acoustic, aerodynamic, and perceptual parameters before and after an hour-long class to analyze vocal loading characteristics in female Bharatanatyam dance teachers.
Study Design: Prospective study.
Method: The study included 52 female Bharatanatyam dance teachers aged 19 to 40years.
J Otol
April 2022
Department of Audiology, All India Institute of Speech and Hearing, Manasagangothri, Mysuru, 570 006, India.
Med Probl Perform Art
March 2022
MGM School of Physiotherapy, MGM Institute of Health Sciences, MGM Campus, Sector 1, Kamothe, Navi Mumbai, 410209, India. Tel +91-022-27437866.
Introduction: The ankle-foot complex is the third most common site of pain in Indian dancers. In Bharatanatyam dance, rhythmic stamping performed barefoot at varying speeds may influence the height of the medial longitudinal arch, causing structural alteration of the ankle-foot complex. As little information is available on the ankle-foot complex of Bharatanatyam dancers, the present study was conducted to test the hypothesis that foot characteristics of Bharatanatyam dancers differ from those of non-dancers.
View Article and Find Full Text PDFMed Probl Perform Art
September 2021
Centre for Sports Science Medicine and Research, Marena Level-5, Manipal Academy of Higher Education, Madhav Nagar, Manipal, Karnataka 576104, India. Tel +91-820-2923293.
Background: Bharatanatyam is an Indian classical dance form that is practiced globally. There is limited information about the prevalence of injuries in Bharatanatyam dancers.
Objectives: To investigate the prevalence of musculoskeletal injuries and specifics of dance training in female Bharatanatyam dancers in the Udupi district of India.
Indian J Occup Environ Med
August 2020
Department of Musculoskeletal Sciences, MGM College of Physiotherapy, Kamothe, Navi Mumbai, Maharashtra, India.
Background: Bharatanatyam dance form is an amalgamation of emotion, rhythm, expression, and sculpturesque poses that demand high levels of physical and psychological power during a performance.
Objectives: To explore musculoskeletal pain and analyze risk factors in Bharatanatyam dancers. The level of injury risk for the "" posture adopted by dancers was also assessed.
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