Investigating the Effects of Visual Feedback on Muscle Activity, Heart Rate, RPE, and Perceptions of Performance in Ballet Dancers.

Int J Exerc Sci

Department of Health and Human Physiological Sciences, Skidmore College, Saratoga Springs, NY, USA.

Published: August 2024

AI Article Synopsis

  • Extreme postures in ballet can lead to higher injury risks, and though mirrors are used for self-correction, they might negatively impact performance and kinesthetic awareness.
  • A study was conducted with 10 female dancers to compare muscle activity, heart rate, and perceived exertion between mirror and non-mirror conditions during different dance tasks.
  • Findings showed no significant differences in muscle activity or heart rate, but dancers felt their artistic expression suffered in the absence of a mirror, highlighting a need for further research on the psychological effects of visual feedback in dance.

Article Abstract

Extreme postures and imbalances in neuromuscular activity may place classical ballet dancers at higher risk of injury. Dance studio mirrors provide visual feedback by which a dancer can self-correct their body position and alignment, but have been suggested to negatively impact kinesthetic abilities and decrease performance capabilities. Thus, we investigated the effects of a mirror on muscle activity of the quadriceps, heart rate (HR), rating of perceived exertion (RPE), and qualitative performance. A lack of visual feedback would increase muscle activity of the quadriceps, HR, and RPE, and decrease self-reported perception of technical quality. 10 female participants completed a single leg balance, an adagio, and a jump task twice - once in each condition. Muscle activity of the vastus lateralis (VL) and vastus medialis oblique (VMO), as well as HR and RPE were assessed during each combination. Qualitative performance was assessed with an exit survey. No significant differences were found between conditions for RPE or HR in all three tasks (RPE: Balance = 0.468, Adagio = 0.191, Jumps = 0.769; HR: Balance = 0.409, Adagio = 0.424, Jumps = 0.244). No significant differences were found between conditions/tasks for peak, mean, and RMS sEMG. Dancers significantly ranked their artistic expression lower in a non-mirror condition ( = 0.018, Cohen's = 0.775). No differences in muscle activity of the VMO and VL or vital signs of fatigue were found. Psychological implications of visual feedback, including dancer's perceived decrease in artistic expression without a mirror present, should be further explored in future studies.

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Source
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC11385289PMC
http://dx.doi.org/10.70252/XQXM1028DOI Listing

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