Still-life painters, especially of the so-called Golden Age (17th century) in the Netherlands, are famous for their masterful techniques of rendering reality. Their amazing abilities to depict different material properties of fruits and flowers are stunning. But how important are these careful arrangements of different objects for the perception of an individual item? Is the perceived color saturation of a single fruit influenced by its surrounding context? We selected fruits in still-life paintings as stimuli to investigate whether and how perceived saturations of fruits were affected by their original contexts. In our study, we focused especially on effects of five context properties: complementary colors, chromatic and luminance contrast, object overlap, and surround variance. Six fruit varieties depicted in high-quality digital reproductions of 48 classic and eight varieties in 64 more recent, modern still-life paintings were selected. In a single trial, eight images of fruits of the same variety appeared on a neutral gray background; half were single fruit cutouts, and the other half were the same fruits embedded in their circular contexts. Fifteen participants ranked all eight images according to perceived color saturations of the fruits. Saturation ratings showed a high agreement of 77%. Surrounding contexts led to an increase in perceived saturation of central fruits. This effect was mainly driven by object overlap, the presence of the central fruit type also in the context, and surround variance. Chroma contrast between fruits and contexts decreased saturation significantly. No significant context effects were found for complementary colors or luminance contrast. Our results show that in paintings, many of the cues that are usually experimentally isolated occur in interesting combinations and lead to an increase in perceived saturation that makes fruit objects more appealing and convincing.
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http://dx.doi.org/10.1167/jov.23.13.8 | DOI Listing |
Appl Psychophysiol Biofeedback
November 2024
Department of Horticulture and Landscape Architecture, National Taiwan University, No. 1, Section 4, Roosevelt Road, Taipei, 10617, Taiwan.
Although the COVID-19 pandemic affected all types of people, older adults were disproportionately affected. Therefore, we developed an indoor program inspired by art and natural elements (plant essential oils [EOs]) intended to have a relaxing effect akin to a forest atmosphere to enhance psychophysiological health during this period. Thirty Taiwanese older adults (range, 59-79 years) participated in the study.
View Article and Find Full Text PDFJ Vis
May 2024
Laboratory of Sensorimotor Research, National Institutes of Health, Bethesda, MD, USA.
Still life paintings comprise a wealth of data on visual perception. Prior work has shown that the color statistics of objects show a marked bias for warm colors. Here, we ask about the relative chromatic contrast of these object-associated colors compared with background colors in still life paintings.
View Article and Find Full Text PDFJ Vis
November 2023
Psychology Department, Giessen University, Giessen, Germany.
Acad Med
May 2023
I.C. Ene is a second-year medical student, Michael G. DeGroote School of Medicine, McMaster University, Hamilton, Ontario, Canada; email: ; ORCID: https://orcid.org/0000-0003-2420-6874 .
Appl Radiat Isot
June 2023
Departamento de Física/CCE, Universidade Estadual de Londrina - UEL, P. O. Box 10.011, 86057-970, Londrina, PR, Brazil. Electronic address:
Portable energy-dispersive X-ray fluorescence spectroscopy (pXRF) was employed in the characterization of the pigments present in the painting "Still Life with Vase, Plate and Flowers", of unknown authorship, but previously attributed to Vincent van Gogh, belonging to the collection of the São Paulo Museum of Art (MASP). In situ pXRF measurements were carried out by means of a portable system in order to provide the museum with a scientific documentation about the materials in the painting. Spectra were taken at different color regions and different hues in the pictorial layer.
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