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Cyclododecane shaping, sublimation rate and residue analysis for the extraction of painting micro-samples from resin cross-sections. | LitMetric

AI Article Synopsis

  • * While this preparation technique offers significant insights, it can also render the embedded sample inaccessible for future analysis and risks degradation of the embedding medium over time, leading to potential loss of information.
  • * The study improved the sample preparation process using cyclododecane (CDD) to allow for easier extraction of micro-samples from resin without damaging them, while also evaluating CDD’s purity, sublimation rates, and effects on different sample types.

Article Abstract

Cross-section preparation of painting micro-samples is part of their routine analysis. This type of preparation can be used for several analytical techniques, such as scanning electron microscopy, Fourier-transform infrared spectroscopy, Raman spectroscopy, and optical microscopy. These techniques offer high-resolution imaging and/or elemental information, providing access to technical and material data important for the interpretation, preservation, and restoration of painted artworks. However, it also means that the material from the sample embedded in the resin becomes unreachable for further analysis, except for the polished surface of the cross-section. Degradation of the embedding medium can also occur over time, which can lead to misinterpretation, loss of information, or even complete destruction of the embedded sample. In the field of cultural heritage, cyclododecane (CDD) is commonly used for the consolidation and protection of objects, and is used in the preparation of cross-sections to prevent contamination of the sample by the embedding medium. This study enhanced the existing preparation process by shaping the CDD layer to enable extraction of the micro-sample from the resin if needed, without compromising the integrity of the sample. Moreover, the purity, the sublimation rate in a normal environment and a vacuum, and the impact of CDD on three different types of samples (historical painting on a canvas, wall painting fragment, model sample) were examined.

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Source
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC9668845PMC
http://dx.doi.org/10.1038/s41598-022-22448-xDOI Listing

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