Frieze patterns appear frequently in architectural designs and ornamental patterning but their aesthetic qualities have never been studied experimentally. In the first experiment, 39 undergraduates used a seven-point rating scale to assess the perceived beauty of the seven basic frieze types presented at a horizontal orientation. The friezes consisted of individual curved and linear motifs as well as random textures. Friezes that filled the entire pattern region and which contained emergent global features were preferred the most. In a second experiment, we utilized horizontal texture friezes that were completely filled and which varied in size and number of elements. Participants preferred patterns with larger features, probably because they make detection of the symmetric transformations more visible. The frieze with the greatest number of symmetries was preferred most but symmetric complexity by itself could not completely account for the predicted preference ordering. In both studies, friezes containing horizontal mirrors (translation, 180° rotation, horizontal mirror, vertical mirror, and glide reflection and translation, horizontal mirror, and glide reflection) were preferred far more than any other condition. Horizontal symmetry may enhance perceived beauty in these cases because it runs parallel to and so emphasizes the overall frieze orientation.
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http://dx.doi.org/10.1177/20416695221131112 | DOI Listing |
Phys Rev Lett
October 2024
Department of Physics, Yale University, New Haven, Connecticut 06520, USA.
Charge density wave (CDW) instability drastically affects the surface electron spectrum of a Weyl semimetal. We show that in the CDW phase, the Fermi arcs reconnect into either closed Fermi loops or Frieze patterns traversing the reconstructed surface mini Brillouin zone. For the closed reconnection topology, application of an out of plane magnetic field leads to a cyclotron motion of the surface electrons.
View Article and Find Full Text PDFJ Appl Crystallogr
June 2024
Faculty of Physics, University of Belgrade, Studentski trg 12, 11001 Belgrade, Serbia.
Understanding the symmetries described by subperiodic groups - frieze, rod and layer groups - has been instrumental in predicting various properties (band structures, optical absorption, Raman spectra, diffraction patterns, topological properties .) of 'low-dimensional' crystals. This knowledge is crucial in the tailored design of materials for specific applications across electronics, photonics and materials engineering.
View Article and Find Full Text PDFJ Acoust Soc Am
January 2024
Centre for Metamaterial Research and Innovation, Department of Physics and Astronomy, University of Exeter, Exeter EX4 4QL, United Kingdom.
Frieze patterns follow a set of tiling instructions including reflection, rotation, and translation, and tile the infinite strip. Many metamaterials function due to the underlying symmetry, and its strategic breaking, of their constituent sub-structures that allow tailoring of the dispersion of modes supported by the structure. We design, simulate, and experimentally characterize seven one-dimensional acoustic metasurfaces whose unit cells each belong to one of the distinct Frieze groups.
View Article and Find Full Text PDFJ Lesbian Stud
April 2024
Department of Art & Design, East Tennessee State University, Johnson City, Tennessee, USA.
In 1853, Rosa Bonheur first exhibited what would become her most widely celebrated work: . Although the work's modern setting and animal-focused subject matter do not obviously characterize it as an instance of classical reception, the artist claimed that it was inspired by the Parthenon frieze. A significant amount of feminist and queer scholarship has been dedicated to Rosa Bonheur's life, career, and art practices, all of which reveal the complex ways in which the artist negotiated the gender norms of 19th-century France.
View Article and Find Full Text PDFJ Appl Crystallogr
February 2023
Advanced Research Center for Computational Simulation, Chiang Mai University, Thailand.
Since the 1990s, there have been developments in the weaving process for making fabrics in the Long district, Phrae province, northern Thailand, with the aim of reducing the production time and increasing the production capacity with respect to poverty alleviation and cultural revitalization. In this article, the symmetry patterns in fabrics in a collection of 17 vintage (traditional) skirts held in the Komol Antique Textile Museum, in the Long district, are examined to determine how to distinguish fabrics woven by the integrated method from those woven by the traditional method. The research includes visual and symmetry analysis, literature review, fieldwork, and the creation of a pattern booklet.
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