Handcrafting ceramic pottery in the traditional method or virtual reality (VR) with intricate surface details is still challenging for the ceramic and graphic artist. Free-form pottery modeling can be efficiently geometrically modeled with the right tools with detailed 3D print outputs, yet challenging to be manufactured using traditional art. The new advanced pottery VR simulation is a promising method to recreate the traditional pottery simulation for a better experience with some barriers. The challenges that arise from surface detail in pottery are a tedious task accomplished by mesh blending and retopology. This paper focuses on refining the VP application's performance by adding unique sound resonance as a more likely infinite geometric phenomenon textures, blending it into the basic shapes. This paper combines creativity and visual computing technologies such as VR, mesh blending, fixing errors, and 3D printing to bring the ceramic artist's imagination to life. We have used sound resonance with virtual pottery (VP) systems refinements to demonstrate several standard pottery methods from free form deformed pottery, retopology, mesh blended for surface details, and 3D printed pottery with materials including polymer and ceramic resins.
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http://dx.doi.org/10.1007/s00371-022-02521-2 | DOI Listing |
Sports (Basel)
November 2024
Department of Orthopaedic and Trauma Surgery, School of Medicine, University of Dundee, Dundee DD1 9SY, UK.
Background: Though ancient Greece preserves many pictures of combat sports, there is limited research in terms of biomechanical analysis of their sports. This research aimed to investigate the Pankration postures of ancient Greek athletics, expecting to bridge the gap between historical sports practices and contemporary biomechanical applications.
Methods: This study employed computer vision (OpenPose) to analyze two images, one as readiness and another as kicking postures, from ancient Greek Pankration by constructing a static multi-segmental model.
Front Microbiol
December 2024
School of Cultural Heritage, Northwest University, Xi'an, China.
Introduction: The Sanxingdui site (Sichuan, China) is the typical representative of the ancient Shu culture, which lasts from the late Neolithic to early Western Zhou. The sacrificial pits are located in the core region of Sanxingdui site, and numerous artifacts are unearthed including ivory, seashells, bronzes, pottery, jade, stone, gold, bone, and horn products. The function of the pits and buried artifacts has always been the focus, but the microbiome around artifacts attracts less attention.
View Article and Find Full Text PDFHeliyon
December 2024
Department of Civil, Construction, and Environmental Engineering, North Dakota State University (NDSU), Fargo, ND, 58108, USA.
Data Brief
April 2024
Department für Kulturwissenschaften, Geschwister-Scholl-Platz 1, Ludwig-Maximilians-Universität München, München 80539, Germany.
Portable X-ray fluorescence (p-XRF) devices are commonly utilized to analyze the chemical composition of various materials, such as archaeological pottery and siliceous substances. The discussion regarding the suitability of this method for such samples is ongoing, as the data are often said to be quantitatively unreliable. Nevertheless, the development of coefficient corrections (coefcors) offers a means to transparently demonstrate the quality and comparability of p-XRF data.
View Article and Find Full Text PDFProc Natl Acad Sci U S A
December 2024
Zhejiang Provincial Institute of Cultural Relics and Archaeology, Hangzhou 310014, China.
The origins of rice domestication and the beginnings of alcoholic fermentation in China are intriguing research topics, with the Shangshan culture in the Lower Yangzi River region being a focal point of archaeological investigations. This study employs a multiproxy approach (phytolith, starch, and fungi) to analyze microfossil remains associated with pottery vessels from the earliest phase of the Shangshan site (ca. 10,000 to 9,000 cal.
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