Composite materials facilitate the control of specific properties in components while varying the type, angle, and order of individual fiber weaves in the laminate. This possibility of synthesizing material properties has aroused great interest in musical instrument making since the availability of synthetic fiber composites in the 1970s. However, when arranging plies, the combination of weave types and angles can lead to vibroacoustic effects which are unusual for makers used to working with wood. The mechanics behind these effects are described, starting with an outline of the theory of vibrations in thin plates. Further, the consequences of rotating fibers are theoretically derived and, subsequently, examined in a series of measurements on rectangular thin plates as well as assembled violin top plates. From the findings obtained, it can be concluded that the specific characteristics have to be taken into account for a successful use of composite materials in musical instrument making. This paper, therefore, concludes with easy-to-understand recommendations for musical instrument makers when using fiber composites.
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http://dx.doi.org/10.1121/10.0009799 | DOI Listing |
Materials (Basel)
January 2025
Joint R&D Center for Metallic Materials, Metallic Wire and Metallic Card Clothing, Xi'an 710021, China.
The mechanical properties of music wire are contingent upon its microstructure, which in turn influences its applications in music. Chinese stringed instruments necessitate exacting standards for comprehensive performance indexes, particularly with regard to the strength, resilience, and rigidity of the musical steel wires, which differ from the Western approach to musical wire. In this study, SWP-B music wire was selected for investigation through metal heat treatment, which was employed to regulate its microstructure characteristics.
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January 2025
Department of Engineering, University of Cambridge, Trumpington St, Cambridge CB2 1PZ, UK.
A number of rectified nylon harp strings, having the same nominal diameter, were subjected to different sequences of applied stress steps. Each string was tested continuously for several weeks to allow sufficient time for the stretching responses to be clearly observed. Qualitatively, much of the observed behaviour was in accordance with established expectations.
View Article and Find Full Text PDFNurs Open
January 2025
Department of Midwifery, Faculty of Nursing and Midwifery, Tabriz University of Medical Sciences, Tabriz, Iran.
Aim: The present study was conducted to determine the effect of non-pharmacological interventions before cataract surgery on preoperative anxiety.
Design: Systematic review and meta-analysis.
Methods: Five databases were systematically searched until 9 June, 2024.
JCO Oncol Pract
January 2025
Mayo Clinic, Department of Internal Medicine, Division of Oncology, Rochester, MN.
Purpose: Over 50% of households in the United States have at least one musician-many musicians are also breast cancer survivors. This group has not been well studied, and given the level of fine sensory-motor skill required for musicianship, we hypothesized that musicians experience unique manifestations of breast cancer treatment toxicities.
Methods: A nine-item Musical Toxicity Questionnaire (MTQ) was distributed to patients who had consented to participate in the Mayo Clinic Breast Cancer Registry.
Front Psychol
January 2025
Department of Psychology, The Ohio State University, Columbus, OH, United States.
Crossmodal correspondences, or widely shared tendencies for mapping experiences across sensory domains, are revealed in common descriptors of musical timbre such as , , and . Two experiments are reported in which participants listened to recordings of musical instruments playing major scales, selected colors to match the timbres, and rated the timbres on crossmodal semantic scales. Experiment A used three different keyboard instruments, each played in three pitch registers.
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