Visual illusions are fascinating phenomena that have been used and studied by artists and scientists for centuries, leading to important discoveries about the neurocognitive underpinnings of perception, consciousness, and neuropsychiatric disorders such as schizophrenia or autism. Surprisingly, despite their historical and theoretical importance as psychological stimuli, there is no dedicated software, nor consistent approach, to generate illusions in a systematic fashion. Instead, scientists have to craft them by hand in an idiosyncratic fashion, or use pre-made images not tailored for the specific needs of their studies. This, in turn, hinders the reproducibility of illusion-based research, narrowing possibilities for scientific breakthroughs and their applications. With the aim of addressing this gap, is a Python-based open-source software (freely available at https://github.com/RealityBending/Pyllusion), that offers a framework to manipulate and generate illusions in a systematic way, compatible with different output formats such as image files (.png, .jpg, .tiff, etc.) or experimental software (such as ).
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This study delves into how various musical factors influence the experience of auditory illusions, building on Diana Deutsch's scale illusion experiments and subsequent studies. Exploring the interaction between scale mode and timbre, this study assesses their influence on auditory misperceptions, while also considering the impact of an individual's musical training and ability to discern absolute pitch. Participants were divided into nonmusicians, musicians with absolute pitch, and musicians with relative pitch, and were exposed to stimuli modified across three scale modes (tonal, dissonant, atonal) and two timbres (same, different).
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