Underwater soundscape description from cyclostationarity point of view.

The description of underwater soundscape is central to the understanding of the marine environment, both from the standpoint of the fauna and anthropic activities and its interactions with the atmosphere. Some of these sources produce signals whose patterns are periodically repeated over time (i.e., ship propellers in motion, odontocetes clicks, snapping shrimp, noise emanating from surface waves, etc.). As ocean noise is a combination of various sources sometimes sharing the same frequency band, it is necessary to develop efficient algorithms to process the increasingly voluminous data acquired. To this end, the theory of cyclostationarity is adopted as an effective tool for exposing hidden periodicities in low signal to noise ratio. This theory, widely used to analyze mechanical systems or communications, is extended and applied on underwater soundscapes. The method is demonstrated using data recorded in the Celtic Sea at the French coast of Brittany with practical experiments using field measurements obtained from recording stations.