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http://dx.doi.org/10.1080/17453054.2021.1920828DOI Listing

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This study explores how young people's mental health was affected by the COVID-19 pandemic using artwork and semi-structured interviews. The mental health impacts of the pandemic are important to understand so that policy and practice professionals can support those affected, prepare and respond to future crises, and support young people who are isolated and restricted in other contexts. Co-designed participatory art workshops and interviews were conducted with 16-18-year-olds ( = 21, 62% female) from the London-based Longitudinal cohort Study of Cognition, Adolescents and Mobile Phones (SCAMP).

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: Groups at high risk of severe illness/death from COVID-19 (older people and those identified as clinically extremely vulnerable: CEV) experienced increased restrictions, poor mental health and loneliness during the first UK lockdown. : Seventeen older adults, eight CEV adults, one parent of a CEV child, and two family carers of CEV adults, shared their experiences of the first UK lockdown through various media: written reflections, interviews, poetry, videos, photographs, and visual artwork. : Through a positive psychology lens, five themes were identified: experiencing loss; community and connection; finding joy, hope and optimism; adapting to change; and sense- and meaning-making.

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This contribution presents the results of a technical investigation on the pigments of William Burges' (1859-62), preserved at the Ashmolean Museum. It is the first thorough material investigation of a remarkable piece of Gothic Revival painted furniture, notably an artwork by Burges, whose work has so far received little attention from a technical point of view. This study was developed during the Covid-19 pandemic, which significantly affected the planned research activities since the investigation relied extensively on collaborations with institutions within and beyond the University of Oxford.

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Since China's lockdown of major cities in response to COVID-19, different forms of online participatory initiatives led by self-organizing groups of volunteers have greatly contributed to information circulation, patient admission support, and other aspects of coping with the pandemic. Although often overlooked by those studying online cultural production during the pandemic, a massive spontaneous and participatory creative outpouring of individual and collaborative artworks related to "fight the pandemic" are being published through platforms including Kuaishou, TikTok, and WeChat public accounts. This article argues that while these participatory online exhibitions published through WeChat opened up a temporary space of expression that both offset the lack of information and enabled alternative ways of understanding of and expression about the crisis, they were not only subject to pervasive state surveillance, but also co-optation by state media.

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