Previous research indicates that dance expertise affects eye-movement behaviour-dance experts tend to have faster saccades and more tightly clustered fixations than novices when observing dance, suggesting that experts are able to predict movements and process choreographic information more quickly. Relating to this, the present study aimed to explore (1) the effects of expertise on eye movements (as a proxy for attentional focus and the existence of movement-dance schemas) in Indian Bharatanatyam dance, and (2) narrative dance, which is an important component of Bharatanatyam. Fixation durations, dwell times, and fixation-position dispersions were recorded for novices and experts in Bharatanatyam (N = 28) while they observed videos of narrative and non-narrative Bharatanatyam dance. Consistent with previous research, experts had shorter fixation durations and more tightly clustered fixations than novices. Tighter clustering of fixations was also found for narrative dance versus non-narrative. Our results are discussed in relation to previous dance and eye-tracking research.
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http://dx.doi.org/10.16910/jemr.11.2.11 | DOI Listing |
J Voice
January 2025
Nitte Deemed to be University, Nitte Institute of Speech and Hearing, Mangalore, Karnataka, India. Electronic address:
Objectives: To compare certain acoustic, aerodynamic, and perceptual parameters before and after an hour-long class to analyze vocal loading characteristics in female Bharatanatyam dance teachers.
Study Design: Prospective study.
Method: The study included 52 female Bharatanatyam dance teachers aged 19 to 40years.
J Med Humanit
June 2024
The American Museum of Natural History, 200 Central Park West, New York, NY, 10024, USA.
Bharatanatyam is a traditional Indian dance form that involves the use of facial expressions and body movements to tell stories. A key aspect of Bharatanatyam is the use of hand gestures, also known as hastas, which are used to communicate with specificity and precision. Hastas are symbols, and along with facial expressions and body movements that are contextually relevant, they help to communicate narratives.
View Article and Find Full Text PDFSci Rep
April 2024
Deparment of Computer Science and Engineering, Anna University, Guindy Campus, Chennai, 600025, India.
This paper delves into the specialized domain of human action recognition, focusing on the Identification of Indian classical dance poses, specifically Bharatanatyam. Within the dance context, a "Karana" embodies a synchronized and harmonious movement encompassing body, hands, and feet, as defined by the Natyashastra. The essence of Karana lies in the amalgamation of nritta hasta (hand movements), sthaana (body postures), and chaari (leg movements).
View Article and Find Full Text PDFMed Probl Perform Art
September 2023
Sports Medicine, ACSMC, 5A Sir C V Raman Road, Coimbatore, India.
The majority of current research on dance injuries has been on ballet, leaving a void in recent data on musculoskeletal injuries in Indian classical [IC] dance. The prevalence of injuries among IC dancers remains unclear, stressing the importance of injury epidemiology research for improved diagnosis, treatment, prevention, and injury burden reduction. Through a thorough examination of published literature, this study sought to critically evaluate existing research on the epidemiology of musculoskeletal pain and injury in IC dancers.
View Article and Find Full Text PDFJ Otol
April 2022
Department of Audiology, All India Institute of Speech and Hearing, Manasagangothri, Mysuru, 570 006, India.
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