Here we report the discovery of ceramic fragments that form part of a Gorgoneion, a ceramic image representation of the Gorgon Medusa. The fragments were found in a deep part of Gorham's Cave, well known to ancient mariners as a natural shrine, between the 8th and 2nd century BCE. We discuss the context of this discovery, both within the inner topography of the cave itself, and also the broader geographical context. The discovery is situated at the extreme western end of the Mediterranean Sea, where it meets the Atlantic Ocean. The location was known to ancient mariners as the northern Pillar of Herakles, which marked the end of the known world. We relate the discovery, and its geographical and chronological context, to Greek legends that situated the lair of the Gorgon sisters at a location which coincides with the physical attributes and geographical position of Gorham's Cave. We thus provide, uniquely, a geographical and archaeological context to the myth of Perseus and the slaying of the Gorgon Medusa.
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http://www.ncbi.nlm.nih.gov/pmc/articles/PMC8016213 | PMC |
http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0249606 | PLOS |
For most residents of Europe, war is a new experience in which they find themselves both as witnesses and participants. In this paper the war in Ukraine serves as an illustration and case example. Like any unfamiliar experience, war elicits profound emotional responses which can be so overwhelming that an individual may be unable to fully process them and to create mental representations of the reality of war.
View Article and Find Full Text PDFPLoS One
September 2021
Department of Earth Sciences and CIPHCN-Heritage Centre, University of Huelva, Huelva, Spain.
Here we report the discovery of ceramic fragments that form part of a Gorgoneion, a ceramic image representation of the Gorgon Medusa. The fragments were found in a deep part of Gorham's Cave, well known to ancient mariners as a natural shrine, between the 8th and 2nd century BCE. We discuss the context of this discovery, both within the inner topography of the cave itself, and also the broader geographical context.
View Article and Find Full Text PDFLuzif Amor
April 2007
Monash University, Clayton, Australien.
In Freud's art collection, the myth of Oedipus, a central tenet of psychoanalysis, is represented by several Greek statues and vases, as well as a reproduction of Ingres' painting. Originally a protective male Egyptian deity, in Greek myth, the Sphinx was female and associated with death. In addition, Freud had sculptures of Medusa the Gorgon, a terrifying winged female, and of provocative Baubo, both also figuring in his writings.
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