Background: Bharatanatyam dance form is an amalgamation of emotion, rhythm, expression, and sculpturesque poses that demand high levels of physical and psychological power during a performance.
Objectives: To explore musculoskeletal pain and analyze risk factors in Bharatanatyam dancers. The level of injury risk for the "" posture adopted by dancers was also assessed.
Materials And Methods: A cross-sectional study was conducted in forty female Bharatanatyam dancers who received a minimum of 5 consecutive years of formal dance training from a recognized dance institute. A self-designed questionnaire comprising of demographic profile, dancing characteristics, presence of musculoskeletal pain, and specific area of pain according to the body region was administered. The injury risk of the "" posture was evaluated using a rapid entire body assessment tool (REBA).
Results: Among 40 female dancers, 75% dancers ( = 30/40, 75% [95% CI 0.61, 0.89] reported pain. The most common site of pain was the low back ( = 22/40, 55% [95% CI 0.39, 0.71]). Using Bonferroni correction for multiple independent comparisons, a significant difference was identified between dancers with and without pain for average performances per year ( = 0.028). As per REBA risk level scoring for posture, 62.5% ( = 25/40, 62.5% [95% CI 0.22, 0.53]) dancers were in the category of high-risk level.
Conclusion: The findings of this study indicated that the point prevalence of pain in Bharatanatyam dancers is high. posture is considered high risk based on postural assessment.
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http://dx.doi.org/10.4103/ijoem.IJOEM_190_19 | DOI Listing |
Cureus
September 2024
Department of Community Medicine, Jawaharlal Nehru Medical College, School of Epidemiology and Public Health, Datta Meghe Institute of Higher Education & Research, Wardha, IND.
Dr. Pramod Karan Sethi was a surgery lecturer who created the Orthopaedic Department and Rehabilitation Unit at the Sawai Man Singh Medical College and Hospital, Jaipur. He paired with a local craftsman, Pandit Ram Chandra Sharma, to create the well-known "Jaipur Foot".
View Article and Find Full Text PDFAnn Indian Acad Neurol
November 2024
Department of Radiology, St. John's Medical College Hospital, Bengaluru, Karnataka, India.
Med Probl Perform Art
September 2023
Sports Medicine, ACSMC, 5A Sir C V Raman Road, Coimbatore, India.
The majority of current research on dance injuries has been on ballet, leaving a void in recent data on musculoskeletal injuries in Indian classical [IC] dance. The prevalence of injuries among IC dancers remains unclear, stressing the importance of injury epidemiology research for improved diagnosis, treatment, prevention, and injury burden reduction. Through a thorough examination of published literature, this study sought to critically evaluate existing research on the epidemiology of musculoskeletal pain and injury in IC dancers.
View Article and Find Full Text PDFJ Otol
April 2022
Department of Audiology, All India Institute of Speech and Hearing, Manasagangothri, Mysuru, 570 006, India.
Med Probl Perform Art
March 2022
MGM School of Physiotherapy, MGM Institute of Health Sciences, MGM Campus, Sector 1, Kamothe, Navi Mumbai, 410209, India. Tel +91-022-27437866.
Introduction: The ankle-foot complex is the third most common site of pain in Indian dancers. In Bharatanatyam dance, rhythmic stamping performed barefoot at varying speeds may influence the height of the medial longitudinal arch, causing structural alteration of the ankle-foot complex. As little information is available on the ankle-foot complex of Bharatanatyam dancers, the present study was conducted to test the hypothesis that foot characteristics of Bharatanatyam dancers differ from those of non-dancers.
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