Background And Aim Of The Work: Among people with spinal cord injuries, sleep disorders are considered one of the top well-being priorities. Some studies suggest that listening to music promotes sleep and improves its quality. These studies usually used music standardised at the frequency of 440 Hz. The aim of the present study is to compare the effects of listening to music tuned to 440 Hz and music tuned to 432 Hz on sleep in patients with spinal cord injuries.
Methods: Double-blind cross-over pilot study in a single Italian Spinal Unit. 12 patients with spinal injuries were provided with mp3 players loaded with their favourite music tuned to 440 Hz or 432 Hz. They were invited to listen to music for 30 minutes each day, in the two periods of the study. "Sleep Scale for Medical Study" modified for this study, and the "Perceived Stress Scale" were chosen.
Results: The participants were eight males (mean age =58.12, SD ±13.62), and four females (mean age =56.25, SD ±14.17). Five were quadriplegics and seven were paraplegics. Listening times and wash-out periods were variable. The stress decreased, but not significantly, with listening to music at both frequencies. After listening to music at 432 Hz there was a significant improvement in sleep scores (+3.6, p=0.02), while there was no improvement in sleep scores listening to music at 440 Hz (-1.50, p=0.34).
Conclusions: The results suggest that further studies on music interventions at 432 Hz should be performed. It is advisable to increase sample sizes and use a range of different research methods.
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http://dx.doi.org/10.23750/abm.v91i12-S.10755 | DOI Listing |
Animals (Basel)
December 2024
Laboratoire Ethologie Cognition Développement, Paris Nanterre University, 92000 Nanterre, France.
Music may be one of the oldest forms of art, and its appreciation is thought to be universal among humans. Music could also represent a useful tool to improve captive animals' welfare, especially if individuals can choose the music they prefer. The ability to discriminate between different kinds of music or composers has been demonstrated in numerous non-human species.
View Article and Find Full Text PDFSci Rep
December 2024
Arak Branch, Islamic Azad University, Arak, Iran.
Music genres classification has long been a challenging task in the field of Music Information Retrieval (MIR) due to the intricate and diverse nature of musical content. Traditional methods have struggled to accurately capture the complex patterns that differentiate one genre from another. However, recent advancements in deep learning have presented new opportunities to tackle this challenge.
View Article and Find Full Text PDFPLoS One
December 2024
Department of Linguistics, The University of Kansas, Lawrence, Kansas, United States of America.
Brain Commun
December 2024
Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands.
Human musicality might have co-evolved with social cognition abilities, but common neuroanatomical substrates remain largely unclear. In behavioural variant frontotemporal dementia, social cognitive abilities are profoundly impaired, whereas these are typically spared in Alzheimer's disease. If musicality indeed shares a neuroanatomical basis with social cognition, it could be hypothesized that clinical and neuroanatomical associations of musicality and social cognition should differ between these causes of dementia.
View Article and Find Full Text PDFMed Probl Perform Art
December 2024
Dep. of Kinesiology, Ken Olsen Science Center, Gordon College, 255 Grapevine Road, Wenham, MA 01984, USA.
Objective: We have previously described patterns of oral cavity movement in advanced French horn players during the performance of large interval slurs. The current study expands upon that work by reporting comparisons between horn, trumpet, and trombone players performing similar large interval exercises.
Methods: Real-time MRI (RT-MRI) films at 20 msec resolution were simultaneously obtained in the sagittal and coronal planes in 10 trumpet players, 9 horn players, and 10 trombone players as they performed 2 repetitions each of slur sequences spanning 1 octave and 1 octave + 3rd (interval of a tenth) at a mezzo forte dynamic level.
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