This essay argues that Berger and Mohr's A Fortunate Man (1967) - comprising social observation and photographs of the rural practitioner, Dr. Sassall and his patients - enacts an embodied, intersubjective empathy called "pain-work." The book enacts "pain-work" through two strategies. Firstly, by conflating three ways of seeing - Berger's observation, Mohr's photography, and Sassall's medical gaze - it shows that the clinical encounter embodies objective vision through intersubjective pain. Secondly, it employs the concepts of recognition and witnessing to show how the subjectivity of the physician is distributed in his community. Thus, Berger and Mohr witness Sassall's witnessing of his patients; even as Sassall and his patients are constituted intersubjectively, so too are Berger, Mohr, and Sassall.
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