Studies have reported the benefits of music-listening in stress-reduction using musical pieces of specific scale or 'Raaga'. But the influence of lower-level musical properties (like tempo, octave, timbre, etc.) lack research backing. Carnatic music concerts use incremental modulations in tempo and octave (e.g.: 'Ragam-Tanam-Pallavi') to elevate the mood of audiences. Therefore, the current study aimed to examine the anxiolytic effect of this musical property. A randomised controlled cross-over study with 21 male undergraduate medical students was followed. 11 participants listened to 'Varying music' (VM: instrumental music with incremental variations in tempo and octave) and 10 listened to 'Stable music' (SM: instrumental music without such variations), thrice daily for 6 days, both clips recorded in Raaga-Kaapi and silence being the control intervention. Electroencephalography (EEG) and Electrocardiography (for heart rate variability or HRV) were done on all 6 days. Beck's Anxiety inventory and State-trait anxiety scale were administered on Day-1 and Day-6. A significant anxiety score reduction was seen only in VM. VM showed marked decrease in lower frequency EEG power in bilateral temporo-parieto-occipital regions compared to silence, whereas SM showed increase in higher frequencies. Relatively, VM showed more midline power reduction (i.e., lower default mode network or DMN activity) and SM showed greater left-dominant alpha/beta asymmetry (i.e., greater right brain activation). During both music interventions HRV remained stable, unlike silence intervention. We speculate that, gradual transition between lower-slower and higher-faster music portions of VM induces a 'controlled-mind wandering' state involving balanced switching between heightened mind wandering ('attention to self') and reduced mind wandering ('attention to music') states, respectively. Therefore, music-selection has remarkable influence on stress-management and warrants further research.
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http://dx.doi.org/10.1016/j.explore.2020.02.013 | DOI Listing |
Atten Percept Psychophys
December 2024
Department of Psychology, Neuroscience and Behaviour, McMaster University, Hamilton, ON, Canada.
Past research suggests that pitch height can influence the perceived tempo of speech and music, such that higher-pitched signals seem faster than lower-pitched ones. However, previous studies have analyzed perceived tempo across a relatively limited range of fundamental frequencies. To investigate whether this higher-equals-faster illusion generalizes across the wider range of human hearing, we conducted a series of five experiments.
View Article and Find Full Text PDFBioinspir Biomim
October 2023
Bio-Inspired Robotics Lab, Department of Engineering, University of Cambridge, Trumpington Street, Cambridge CB2 1PZ, United Kingdom.
Understanding the coordination of multiple biomechanical degrees of freedom in biological organisms is crucial for unraveling the neurophysiological control of sophisticated motor tasks. This study focuses on the cooperative behavior of upper-limb motor movements in the context of octave playing on the piano. While the vertebrate locomotor system has been extensively investigated, the coherence and precision timing of rhythmic movements in the upper-limb system remain incompletely understood.
View Article and Find Full Text PDFAnim Cogn
August 2022
Universitat Pompeu Fabra, C. Ramon Trias Fargas, 25-27, 08005, Barcelona, Spain.
Humans recognize a melody independently of whether it is played on a piano or a violin, faster or slower, or at higher or lower frequencies. Much of the way in which we engage with music relies in our ability to normalize across these surface changes. Despite the uniqueness of our music faculty, there is the possibility that key aspects in music processing emerge from general sensitivities already present in other species.
View Article and Find Full Text PDFExplore (NY)
November 2021
Kempegowda Institute of Medical Sciences (KIMS), Bengaluru, Karnataka, India.
J Voice
January 2017
Voice Biomechanics and Acoustics Laboratory, Department of Communicative Sciences and Disorders, Michigan State University, East Lansing, Michigan.
Background: One of the most important aspects of singing is the control of fundamental frequency.
Objectives: The effects on pitch inaccuracy, defined as the distance in cents in equally tempered tuning between the reference note and the sung note, of the following conditions were evaluated: (1) level of external feedback, (2) tempo (slow or fast), (3) articulation (legato or staccato), (4) tessitura (low, medium, or high), and (5) semi-phrase direction (ascending or descending).
Methods: The subjects were 10 nonprofessional singers and 10 classically trained professional or semi-professional singers (10 men and 10 women).
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