The present study examined representations of 39 lesbian characters' interpersonal relationships and characterological profiles in 20 "lesbian-centric" television shows from 2008 to 2018. Using a mixed-methods approach, the following variables were analyzed: the quality of lesbian characters' relationships with their parents, children, close friends, and romantic partners; their sense of acceptance from these relationships; their gender presentation and expression; the use of homonegative tropes in targeted programs; portrayals of sexual behaviors; and demographic characteristics. Results indicated that the majority of the lesbian characters were young, cisgender, white, middle-class, and portrayed within various homonegative tropes. Most of the lesbian characters shared positive relationships with their mothers, children, close friends, and romantic partners, but not with their fathers. Qualitative findings evidenced support for the quantitative analyses; however, they revealed that lesbian characters' friendships were not fully developed. The strengths and limitations of this study, and directions for future research are outlined.
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http://dx.doi.org/10.1080/10894160.2019.1678935 | DOI Listing |
Fa Yi Xue Za Zhi
August 2024
Department of Forensic Medicine, School of Basic Medical Sciences, Fudan University, Shanghai 200032, China.
J Lesbian Stud
October 2024
English Department, University of North Carolina, Charlotte, NC, USA.
The subfield of rural queer studies and the concept of lesbian earth encourage scholars to explore the significance of rural place, nature, and climate change in queer texts. Alison Bechdel's graphic memoir, , presents nature as a source of familial conflict, creativity, and mutual support and as under threat due to strip mining. The climate change novel, focuses intensely on the realities of climate change and lesbian relations with the earth.
View Article and Find Full Text PDFJ Homosex
September 2024
Department of Sociology, University of Maryland, College Park, Maryland, USA.
The presence and quality of LGBTQ+ representation in film and television has important implications for viewers, especially LGBTQ+ youth. This study conducted a content analysis of the 2022 Disney+ Pride Collection, a list of movies and episodes designated by Disney as including LGBTQ+ characters and stories. This analysis examined the depiction of LGBTQ+ fictional characters, finding that Black LGBTQ+ characters were more likely to be presented as adults and in romantic relationships compared to characters of other races, suggesting that their intersecting identities influence their portrayal toward more heteronormative scripts.
View Article and Find Full Text PDFJMIR Pediatr Parent
August 2024
The Matilda Centre for Research in Mental Health and Substance Use, The University of Sydney, Sydney, Australia.
Background: Mental disorders are the leading cause of disease burden among youth. Effective prevention of mental disorders during adolescence is a critical public health strategy to reduce both individual and societal harms. Schools are an important setting for prevention; however, existing universal school-based mental health interventions have shown null, and occasionally iatrogenic, effects in preventing symptoms of common disorders, such as depression and anxiety.
View Article and Find Full Text PDFJ Lesbian Stud
July 2024
School of Postgraduate Studies, University of Huelva, Huelva, Spain.
The past decade has witnessed an unprecedented rise in trans* representation in literature, with works of fictions that go from critically acclaimed best sellers like Torrey Peters' (2021) to Booker-Prize winner postcolonial-centred study of non-binary characters in Bernardine Evaristo's (2019). In this blossoming context of exploring trans* voices, Ali Smith's (2014) breaks the mould in its defiance of traditional representations of transivity, usually grounded on medico-legal discourses. Following the precept of transnormativity as well as the theories of hapticality of Jeanne Vaccaro and Laura Marks, which respectively explore the possibilities of trans* identity perceived as a collective process of crafting and the potential found in a haptical approach to the visual, I hereby discuss Smith's representation of trans*masculine identity outside the regime of medicine.
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