The objective is to compare musicians and non-musicians in signal-in-noise perception. Participants underwent the following tests: (1) High-frequency (HF) audiometry, (2) QuickSIN (a test for speech perception in noise), and (3) Binaural Masking Level Difference (BMLD) test (a test that examines the hearing threshold of a low-frequency tone from noise masking when the phase of the signal or noise in one ear is reversed with respect to the phase of the signal or noise in the other ear, i.e. the difference in the threshold for detection of the tone in noise under the SN and SN conditions). Thirty-four healthy young normal-hearing listeners including 17 musicians (M) and 17 non-musicians (NM). There were no study group difference in HF audiometry and QuickSIN. The M group had a significantly better performance under the SN but not under the SN condition. As a result, the BMLD value (SN-SN) was significantly smaller in the M group than in the NM group. There is a musicians' advantage in binaural tone-in-noise detection in the BMLD task under the SN condition, suggesting that long-term music training positively shapes the auditory system.
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http://dx.doi.org/10.1080/14992027.2019.1623424 | DOI Listing |
Hum Brain Mapp
January 2025
Montreal Neurological Institute, McGill University, Montréal, Quebec, Canada.
Perception and production of music and speech rely on auditory-motor coupling, a mechanism which has been linked to temporally precise oscillatory coupling between auditory and motor regions of the human brain, particularly in the beta frequency band. Recently, brain imaging studies using magnetoencephalography (MEG) have also shown that accurate auditory temporal predictions specifically depend on phase coherence between auditory and motor cortical regions. However, it is not yet clear whether this tight oscillatory phase coupling is an intrinsic feature of the auditory-motor loop, or whether it is only elicited by task demands.
View Article and Find Full Text PDFBrain Sci
November 2024
Department of Pedagogy, Music Institute, Faculty of Philosophy and Education, Pontificia Universidad Católica de Valparaíso, Valparaíso 2340025, Chile.
Background/objectives: Previous research has suggested that Western musicians, who generally demonstrate proficiency in reading musical scores, exhibit superior performance in visuospatial working memory tasks compared to non-musicians. Evidence indicates brain activation in regions such as the left inferior parietal lobe and the right posterior fusiform gyrus during music reading, which are associated with visuospatial processing. This study aimed to explore how musical training influences spatial working memory and to examine the relationship between self-assessment accuracy and cognitive performance.
View Article and Find Full Text PDFPsychol Res
November 2024
Department of Psychology, The Per Sternberg Electroencephalogram-Event Related Potentials (EEG-ERP) Laboratory for the Study of Brain and Behavior, Tel-Hai College, 12208, Upper Galilee, Israel.
Extensive research highlights the multifaceted benefits of active musical engagement across all ages, from childhood to the elderly. The practice of a musical instrument activates numerous brain regions, enhancing a range of neurocognitive skills. Despite accumulating evidence from various clinical populations, research on the effects of musical training in individuals with ADHD is scarce, with virtually no studies focusing on adults.
View Article and Find Full Text PDFEur J Neurosci
December 2024
Max Planck Research Group Language Cycles, Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, Germany.
The human brain tracks regularities in the environment and extrapolates these to predict future events. Prior work on music cognition suggests that low-frequency (1-8 Hz) brain activity encodes melodic predictions beyond the stimulus acoustics. Building on this work, we aimed to disentangle the frequency-specific neural dynamics linked to melodic prediction uncertainty (modelled as entropy) and prediction error (modelled as surprisal) for temporal (note onset) and content (note pitch) information.
View Article and Find Full Text PDFEur J Pain
October 2024
Institute for Music Physiology and Musicians' Medicine, University of Music, Theater and Media, Hannover, Germany.
Background: Extensive audio-motor training and psychological stress can cause professional musicians acute overstrain-injury and chronic pain, resulting in damaged careers and diminished quality of life. It has also been previously shown that musicians might perceive pain differently than non-musicians. Therefore, the aim of our study was to quantify differences between musicians and non-musicians regarding their subjective responses to painful contact heat stimuli and assess how emotional traits might influence these responses.
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