Visual art is one of the means of non-verbal communication that bypasses cultural, societal, language and, more importantly, time differences. It allows for establishing a multilevel connection between the artist and art receiver. Production of visual art is a form of expression of emotions. Art reception involves the initiation of a cascade of emotions and thoughts based on visual input. One of the ways to express artistic content is through abstraction. Abstract visual art is based on portraying elements that do not represent any real, objective shapes, with the means of lines, colours, tones and texture. Abstract expressionism is a form of abstract art infused with strong emotional and expressive content. The combination of expression of emotions in abstraction requires almost direct translation between neuronal function and artistic output without using formal shapes or references as means of communication. That is why it is very interesting to look at the artistic output in abstract expressionists with neurological disorders affecting the brain. Here, we review several key abstract expressionists, including James Brooks, Agnes Martin and Willem de Kooning, and their artistic production in the context of brain disease.
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http://dx.doi.org/10.1159/000490862 | DOI Listing |
J Anal Psychol
April 2022
Denver, USA.
The art movements of Cubism and Abstract Expressionism, influenced by Jung and Freud, emerged as a symbolic representation of the collective unconscious, and became an expression of the challenging times of a culture in transition. Similar to the technique of interpretation in psychoanalysis, Cubist painting was a method of demarcation, rather than an imitation of what was seen in the physical world. Also, as an expression of collective experience, the avant-garde movement of Abstract Expressionism emerged out of Cubism.
View Article and Find Full Text PDFJ Lesbian Stud
December 2021
Department of English, Illinois State University, Normal, Illinois, USA.
This article draws on the field of asexuality studies and the growing work of aromanticism studies to think about whether and how we can theorize lesbian studies from asexual (ace) and aromantic (aro) perspectives. Aces experience "the lack of sexual attraction to others, or low or absent interest in or desire for sexual activity" (Asexual Visibility and Education Network) and aros experience little or no romantic attraction to others. While lesbian studies has countless examples of "asexual resonances," or lesbian theorizations that focus on intimacy between women in ways that do not centralize sex and sometimes do not centralize romance-such as those of Boston Marriages and intimate friendships, women identified women, single lesbian figures and spinsters, and lesbian kinship networks that are erotic if not sexual or romantic in nature-little work thus far has explored lesbian identities using the frameworks of asexuality and even more so of aromanticism.
View Article and Find Full Text PDFSci Adv
May 2019
The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, 10028 NY, USA.
Material analysis of cultural artifacts can uncover aspects of the creative process and help determine the origin and authenticity of works of art. Technical studies on abstract expressionist paintings revealed a luminescence signature from titanium white paints whose pigments were manufactured by coprecipitation with calcium or barium sulfate. We propose that trace neodymium present in some ilmenite (FeTiO) ores can be trapped in the alkaline earth sulfate during coprecipitation, generating a luminescent marker characteristic of the ore and process.
View Article and Find Full Text PDFVisual art is one of the means of non-verbal communication that bypasses cultural, societal, language and, more importantly, time differences. It allows for establishing a multilevel connection between the artist and art receiver. Production of visual art is a form of expression of emotions.
View Article and Find Full Text PDFFront Neurol Neurosci
January 2019
The studies on the relation between artistic production, especially visual art, and brain function gave a basis to the development of neuroesthetics. Most of the information on brain artistic creativity comes from studies on brain disease in well-established visual artists. Brain disease may cause change, dissolution, or emergence of artistic creativity.
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