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Comparison of Lower Extremity Muscle Flexibility in Amateur and Trained Bharatanatyam Dancers and Nondancers. | LitMetric

Comparison of Lower Extremity Muscle Flexibility in Amateur and Trained Bharatanatyam Dancers and Nondancers.

Med Probl Perform Art

Dep. of Physical Therapy, College of Applied Medical Sciences, Imam Abdulrahman Bin Faisal University, Dammam 31451, Saudi Arabia. Tel +966 554270531.

Published: March 2018

AI Article Synopsis

  • The study aimed to compare lower limb muscle flexibility in trained and amateur Bharatanatyam dancers versus nondancers, focusing on various ranges of motion (ROM).
  • A total of 105 healthy female participants were assessed across multiple mobility tests, with significant differences in hip and knee flexibility observed between trained dancers and the other groups.
  • Results indicated that trained dancers exhibited greater hip flexibility but lower internal rotation and adduction compared to amateurs and nondancers, suggesting that specific dance postures may influence these variations.

Article Abstract

Objective: This study compared lower limb muscle flexibility between amateur and trained female Bharatanatyam dancers and nondancers.

Methods: Subjects consisted of 105 healthy female volunteers, with 70 female Bharatanatyam dancers (35 trained, 35 amateurs) and 35 controls, with a mean (±SD) age of 16.2±1.04 yrs, height 155.05±4.30 cm, and weight 54.54±2.77 kg. Participants were assessed for range of motion (ROM) in hip flexion, hip extension, hip abduction and adduction, hip external rotation, hip internal rotation, knee flexion, knee extension, ankle dorsiflexion (DF), and ankle plantar flexion (PF) by using a standardized goniometer. To assess for significant difference between groups, one-way ANOVA was applied, and multiple comparisons were made using Bonferroni correction.

Results: Trained dancers had a significantly greater hip flexion, extension, abduction, and external rotation ROM than amateurs and nondancers (p<0.05). Also, internal rotation and adduction were markedly less in trained dancers (p<0.05). Knee flexion, extension, and ankle DF were higher and ankle PF ROM was lesser in trained dancers. However, not much variation was found in ankle DF and PF between amateur dancers and nondancers (p>0.05).

Conclusion: Results showed that there are significant differences in lower limb muscle flexibility between trained and amateur Bharatanatyam dancers and nondancers. These differences may be due to individual dance postures such as araimandi and muzhumandi.

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Source
http://dx.doi.org/10.21091/mppa.2018.1005DOI Listing

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