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http://dx.doi.org/10.17843/rpmesp.2017.341.2782 | DOI Listing |
PLoS One
January 2025
Department of Music, Arts and Culture, University of Jyväskylä, Jyväskylä, Finland.
Music is assumed to express a wide range of emotions. The vocabulary and structure of affects are typically explored without the context of music in which music is experienced, leading to abstract notions about what affects music may express. In a series of three experiments utilising three separate and iterative association tasks including a contextualisation with typical activities associated with specific music and affect terms, we identified the plausible affect terms and structures to capture the wide range of emotions expressed by music.
View Article and Find Full Text PDFFront Psychol
December 2024
UMC Utrecht Brain Center, Utrecht, Netherlands.
Introduction: Over the past few decades, psychotherapy research was dominated by testing the efficacy of "brand name" therapeutic techniques and models. Another line of research however, suggests that common factors, such as the therapeutic alliance and empathy, might play a greater role in effective therapy than specific therapeutic techniques and models. Routine process monitoring (RPM), focusing on common factors, has emerged as a promising approach to enhance therapy outcomes.
View Article and Find Full Text PDFBehav Res Methods
December 2024
Department of Business Administration and Economics, FernUniversität in Hagen, Hagen, Germany.
This article develops a comprehensive database comprising 5956 German affective norms specifically tailored for the study of organizational atmospheres through computational verbal language analysis. This dictionary adopts both dimensional and categorical approaches. The theoretical foundation of this study is the circumplex model of affective atmospheres.
View Article and Find Full Text PDFJ Acoust Soc Am
December 2024
Institute for Environmental Design and Engineering, University College London, London, United Kingdom.
The soundscape approach provides a basis for considering the holistic perception of sound environments in context. Whereas steady advancements have been made in methods for assessment and analysis, a gap exists for comparing soundscapes and quantifying improvements in the multidimensional perception of a soundscape. To this end, there is a need for the creation of single value indices to compare soundscape quality which incorporate context, aural diversity, and specific design goals for a given application.
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