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This article considers the ways that poets, rappers and artists including Kendrick Lamar, Residente, Zaffar Kunial, Michael Symons Roberts, Hannah Sullivan and Marc Quinn have responded to the biomedical postgenomic gaze and the ways in which they have dissented or built on this seemingly new way of conceiving of the human. These poets and rappers consider what it means to imagine in a postgenomic way and the possible implications of this for writing, art and living. The multiple texts I explore and articulate how postgenomic identities have been expanded and understood and imagined.

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