Leonardo da Vinci's detailed drawings are justly celebrated; however, less well known are his accounts of the structures and functions of the organs. In this paper, we focus on his illustrations of the heart, his conjectures about heart and blood vessel function, his experiments on model systems to test those conjectures, and his unprecedented conclusions about the way in which the cardiovascular system operates. In particular, da Vinci seems to have been the first to recognize that the heart is a muscle and that systole is the active phase of the pump. He also seems to have understood the functions of the auricles and pulmonary veins, identified the relationship between the cardiac cycle and the pulse, and explained the hemodynamic mechanism of valve opening and closure. He also described anatomical variations and changes in structure and function that occurred with age. We outline da Vinci's varied career and suggest ways in which his personality, experience, skills and intellectual heritage contributed to these advances in understanding. We also consider his influence on later studies in anatomy and physiology.

Download full-text PDF

Source
http://dx.doi.org/10.1016/j.ijcard.2012.09.078DOI Listing

Publication Analysis

Top Keywords

leonardo vinci's
8
vinci's studies
4
heart
4
studies heart
4
heart leonardo
4
vinci's detailed
4
detailed drawings
4
drawings justly
4
justly celebrated
4
celebrated well
4

Similar Publications

The Renaissance of Reproductive Science: Leonardo da Vinci's Anatomical Contributions.

Reprod Sci

January 2025

Department of Life Sciences, Faculty of Science and Engineering, Dalton Building, Manchester Metropolitan University, Chester Street, Manchester, M1 5GD, England.

Leonardo de Vinci is considered one of the greatest artists that has ever lived. His work includes the Mona Lisa and The Last Supper are celebrated worldwide. His talents expand beyond his art and his contributions to disciplines such as engineering, astronomy, geometry, botany, geology have revealed is him as a polymath.

View Article and Find Full Text PDF

The smile is a complex human facial expression, most commonly associated with joy. We present a detailed view on Leonardo Da Vinci's painting of Saint John the Baptist, between 1516 to 1516, which illustrates a smiling saint, which has evoked multiple explanations and theories. Discussing Da Vinci's concept of painting as science media and the two merely contradictory painting techniques chiaroscuro and sfumato, we attempt to approach this picture.

View Article and Find Full Text PDF

Anatomy: We aim to review the anatomy of the moderator band (MB) and the trabeculated right ventricle (RV).

Pathology: We thoroughly describe the morphological variations of the MB and its spatial relationship with the right ventricular anterior papillary muscle, its muscular trabeculations, and the free wall.

Imaging Correlation: We provide echocardiography, computed tomography, and magnetic resonance imaging to better understand histologic specimens of the MB, the trabeculated RV, and the right ventricular papillary muscles.

View Article and Find Full Text PDF

Toward Unbiased High-Quality Portraits through Latent-Space Evaluation.

J Imaging

June 2024

Department of Control and Computer Engineering, Politecnico di Torino, 10129 Torino, Italy.

Images, texts, voices, and signals can be synthesized by latent spaces in a multidimensional vector, which can be explored without the hurdles of noise or other interfering factors. In this paper, we present a practical use case that demonstrates the power of latent space in exploring complex realities such as image space. We focus on DaVinciFace, an AI-based system that explores the StyleGAN2 space to create a high-quality portrait for anyone in the style of the Renaissance genius Leonardo da Vinci.

View Article and Find Full Text PDF
Article Synopsis
  • - Analyzed a microsample from Leonardo da Vinci's artwork using advanced techniques, revealing a unique blend of oil mixed with lead pigment components including plumbonacrite, which indicates an alkaline environment.
  • - The composition suggests that Leonardo aimed to create a thick paint for a wooden panel by using a high amount of lead II oxide (PbO), although sources in his manuscripts about PbO are unclear.
  • - Further analysis shows that Leonardo's palette included not just PbO but also other lead compounds like litharge and massicot, along with newly identified phases in historical painting like shannonite.
View Article and Find Full Text PDF

Want AI Summaries of new PubMed Abstracts delivered to your In-box?

Enter search terms and have AI summaries delivered each week - change queries or unsubscribe any time!