The contribution of sound intensity in vocal emotion perception: behavioral and electrophysiological evidence.

PLoS One

State Key Laboratory of Brain and Cognitive Science, Institute of Psychology, Chinese Academy of Sciences, Beijing, China.

Published: June 2012

AI Article Synopsis

  • The study investigates the impact of sound intensity on the perception of vocal emotions, particularly focusing on how it influences ratings of "angry" levels in different prosodies.
  • Experiment 1 found that sound intensity significantly affected ratings for angry prosodies but not neutral ones, while Experiment 2 explored brain responses using EEG to compare emotional prosodies and their effects.
  • Results indicated that sound intensity plays a crucial role in emotional significance, suggesting it should not just be treated as a variable in research, but as an important aspect to consider in studies of vocal emotion.

Article Abstract

Although its role is frequently stressed in acoustic profile for vocal emotion, sound intensity is frequently regarded as a control parameter in neurocognitive studies of vocal emotion, leaving its role and neural underpinnings unclear. To investigate these issues, we asked participants to rate the angry level of neutral and angry prosodies before and after sound intensity modification in Experiment 1, and recorded electroencephalogram (EEG) for mismatching emotional prosodies with and without sound intensity modification and for matching emotional prosodies while participants performed emotional feature or sound intensity congruity judgment in Experiment 2. It was found that sound intensity modification had significant effect on the rating of angry level for angry prosodies, but not for neutral ones. Moreover, mismatching emotional prosodies, relative to matching ones, induced enhanced N2/P3 complex and theta band synchronization irrespective of sound intensity modification and task demands. However, mismatching emotional prosodies with reduced sound intensity showed prolonged peak latency and decreased amplitude in N2/P3 complex and smaller theta band synchronization. These findings suggest that though it cannot categorically affect emotionality conveyed in emotional prosodies, sound intensity contributes to emotional significance quantitatively, implying that sound intensity should not simply be taken as a control parameter and its unique role needs to be specified in vocal emotion studies.

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Source
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3264585PMC
http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0030278PLOS

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