Statement Of Problem: The loss of one or more of the incisal embrasures may pose a problem in restoring missing tooth structure. Despite its acknowledged importance in dental esthetics, few researchers have investigated the esthetic impact of incisal embrasures.
Purpose: The purpose of this study was to compare parameters of the incisal embrasures of natural maxillary anterior teeth (ND) with those of prosthetically restored maxillary anterior teeth (PRD) and to compare the resemblance of the prosthetic restoration to natural form.
Material And Methods: Twenty gypsum casts of the maxillary anterior teeth (MAT) of patients made at the completion of their orthodontic treatment comprised the control group. The experimental group consisted of 20 gypsum casts of prosthetically restored maxillary anterior segments. Five incisal embrasures of each cast were digitally photographed under uniform, standardized conditions: the incisal embrasures between the canine and lateral incisor on each side, between the lateral and central incisors on each side, and between the 2 central incisors. The photographs were measured by image analyzing software (Bioquant Nova Prime). The parameters compared were: (1) the areas of the incisal embrasures in the natural and prosthetic casts (measured in mm(2)); (2) the areas of homological incisal embrasures in each of the groups; and (3) the degree of lateral symmetry of the natural casts as compared to the prosthetic casts. The results were subjected to 2-way ANOVA and Student t tests (alpha =.05).
Results: The total area of incisal embrasures of the PRD casts was smaller than the total area of those of the natural dentition casts (P=.005). The incisal embrasures of the PRD casts were smaller than the homological embrasures of the natural dentition casts (P<.01). Both groups demonstrated a lack of lateral symmetry (P<.001). The natural dentition casts demonstrated a greater asymmetry than the restored dentition casts (canine/lateral P<.045 and lateral/central P<.035). There was no significant difference in the sizes of the central incisal embrasures of the 2 groups. The corresponding incisal embrasure areas (ND versus PRD) were significantly different, except for the 2 central embrasures.
Conclusions: Prosthetically restored dentition casts differed from natural dentition casts in 2 parameters: the area of the incisal embrasures and the degree of lateral symmetry.
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http://dx.doi.org/10.1016/S0022-3913(09)60030-5 | DOI Listing |
Dent J (Basel)
September 2022
Department of Fixed Prosthodontics, School of Dental Medicine, University of Zagreb, 10000 Zagreb, Croatia.
Background: This randomized trial's objective was to investigate the impact of social network content on the perception of smiles among specialists, doctors, students of dental medicine, and laypeople.
Method: A sample of 360 respondents was shown 7 digitally altered photographs of smiles (85.63% female, 14.
J Prosthet Dent
January 2024
Assistant Professor, Department of Restorative Dentistry and Biomaterial Sciences, Harvard School of Dental Medicine, Boston, Mass. Electronic address:
Statement Of Problem: Although average values and facebow records have been incorporated into prosthetic dentistry with much success, little is known about how using 3D facial scans for mounting compare with traditional mounting methods.
Purpose: The purpose of this pilot clinical study was to determine differences in measurements among casts mounted virtually by using the average values of the Bonwill triangle and the Balkwill angle, casts mounted by using facebow records, and casts mounted from 3D facial scans.
Material And Methods: Intraoral digital scans were obtained from each participant (n=10) and 3D printed in resin.
Purpose: To determine the most and least attractive smiles from a Brazilian sample and to correlate the anatomical characteristics identified in these smiles.
Materials And Methods: Orthodontists, dentists, and laypeople assessed the photographs of 86 students (66 women and 20 men), aged between 19 and 30 years, using a visual analog scale (VAS). An evaluator blinded to the results measured the esthetic composition of the eight photographs with the highest and the eight with the lowest ratings for women, and the two with the highest and the two with the lowest ratings for men.
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