Silver film over nanospheres (AgFONs) were successfully employed as surface-enhanced Raman spectroscopy (SERS) substrates to characterize several artists' red dyes including: alizarin, purpurin, carminic acid, cochineal, and lac dye. Spectra were collected on sample volumes (1 x 10(-6) M or 15 ng/microL) similar to those that would be found in a museum setting and were found to be higher in resolution and consistency than those collected on silver island films (AgIFs). In fact, to the best of the authors' knowledge, this work presents the highest resolution spectrum of the artists' material cochineal to date. In order to determine an optimized SERS system for dye identification, experiments were conducted in which laser excitation wavelengths were matched with correlating AgFON localized surface plasmon resonance (LSPR) maxima. Enhancements of approximately two orders of magnitude were seen when resonance SERS conditions were met in comparison to non-resonance SERS conditions. Finally, because most samples collected in a museum contain multiple dyestuffs, AgFONs were employed to simultaneously identify individual dyes within several dye mixtures. These results indicate that AgFONs have great potential to be used to identify not only real artwork samples containing a single dye but also samples containing dyes mixtures.
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http://dx.doi.org/10.1366/000370207781745838 | DOI Listing |
J Proteome Res
January 2025
Museum Conservation Institute, Smithsonian Institution, Suitland, Maryland 20746, United States.
Textiles provide a valuable source of information regarding past cultures and their artistic practices. Understanding ancient textiles requires identifying the raw materials used, since the origin of dyes and fibers may be from plants or animals, with the specific species used varying based on geography, trade routes and cultural significance. A selection of nine Chancay textile fragments attributed to 800-1200 CE were studied with liquid chromatography mass spectrometry (LC-MS) and direct analysis in real time mass spectrometry (DART-MS) to identify the chemical compounds in extracts of natural dyes used to create green, blue, red, yellow and black colors.
View Article and Find Full Text PDFSpectrochim Acta A Mol Biomol Spectrosc
March 2025
Light, Nanomaterials, Nanotechnologies (L2n), CNRS UMR 7076, University of Technology of Troyes, 10004 Troyes, France.
In this work, we performed a comprehensive spectroscopic analysis of the "Portrait of a Young Man in a Wide-Brimmed Hat with a Feather" authored by an unknown artist and housed in the National Art Museum of the Republic of Belarus. Previously this portrait was a part of the Myatlev collection (St. Petersburg, Russia).
View Article and Find Full Text PDFAnal Bioanal Chem
January 2025
Instituto de Química, Universidad Nacional Autónoma de México, 04510, Mexico City, Mexico.
This study presents the analysis of seven microsamples from Untitled Mural 3, painted by David Alfaro Siqueiros between 1964 and 1972. The mural has never been restored, therefore preserving the materials used by the artist. The microsamples were analyzed using a combination of techniques: optical microscopy (OM), scanning electron microscopy with energy-dispersive spectroscopy (SEM-EDS), attenuated total reflection Fourier transform infrared spectroscopy (ATR-FTIR), micro-Fourier transform infrared spectroscopy (micro-FTIR) with reflection mode, and high-resolution nuclear magnetic resonance (NMR) spectroscopy.
View Article and Find Full Text PDFFront Neurosci
September 2024
Department of Radiology and Tianjin Key Laboratory of Functional Imaging and Tianjin Institute of Radiology, Tianjin Medical University General Hospital, Tianjin, China.
Environ Sci Pollut Res Int
August 2024
Department of Construction, Research Group of Sustainable Interaction of Construction Materials With the Environment, Eduardo Torroja Institute for Construction Science, IETcc (CSIC), Serrano Galvache 4, 28033, Madrid, Spain.
Graffiti on construction materials has significant social and economic impacts, especially on artistic and historical artefacts. Anti-graffiti protective coatings are used to generate low surface energies that limit graffiti adhesion to the surface, thereby reducing surface damage and facilitating removal. The anti-graffiti properties of three commercial TiO-based coatings were tested under outdoor exposure conditions using four colours of graffiti paint (red, blue, black, and white).
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