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From Worker Victory to Policy Reform: Injured Migrant Workers Fight for Return to Work Justice in Workers' Compensation in Ontario, Canada.
New Solut
January 2025
IAVGO Community Legal Clinic, Toronto, Ontario, Canada.
This article explores the challenges facing injured migrant farm workers in the workers compensation system in Canada's province of Ontario, with a focus on their fight for return to work justice. Told from the perspective of one of the lawyers who represented the workers, it highlights a recent victory achieved by 4 workers in the Seasonal Agricultural Worker Program in defending their rights to workers' compensation support. The workers' compensation tribunal decided that the workers' compensation board must evaluate these workers ability to return to work, access retraining, and receive compensation based on their labor markets in Jamaica-instead of based on fictional job prospects in Ontario.
View Article and Find Full Text PDFRecurrent implantation failure: science or fiction?
Hum Reprod
January 2025
HealthPlus Fertility Center, HealthPlus Network of Specialty Centers, Abu Dhabi, United Arab Emirates.
The Latest Evidence.
Am J Nurs
February 2025
Joel Glover lives in Hertfordshire, England. This poem is about his experience living with long COVID. Glover is the author of 3 novels, The Path of Pain and Ruin (2023), Paths to Empires' Ends (2024), and The Thirteenth Prince (2024). His published works include science fiction short stories (Nature, foofaraw), satire (PULP Lit Mag), creative nonfiction (Epistemic Literary), poetry (Radon Journal), and cultural commentary (Swords and Sorcery Magazine and Exterminating Angel Press). "The Latest Evidence" © 2025 by Joel Glover. Contact author:
Sad Art Gives Voice to Our Own Sadness.
Cogn Sci
January 2025
Program in Cognitive Science and Department of Philosophy, Yale University.
People tend to show greater liking for expressions of sadness when these expressions are described as art. Why does this effect arise? One obvious hypothesis would be that describing something as art makes people more likely to regard it as fictional, and people prefer expressions of sadness that are not real. We contrast this obvious hypothesis with a hypothesis derived from the philosophical literature.
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