Several correlational studies have supported the claim of conservative protestors that there exists a positive relationship between listening to pop music and adolescent problem behaviours. However, research on the so-called 'prestige effects' has shown that experimental participants' responses to music can be mediated by manipulations of prior information concerning that music. This study investigated whether perceptions of deleterious effects of pop songs on listeners may be attributable to prior labelling of those stimuli as 'problem music'. Eighty undergraduates were played songs that they were told were either suicide-inducing or life-affirming. Subsequent ratings of the songs indicated that those presented as 'suicide-inducing' were perceived as such, whereas presentation of the same songs in a 'life-affirming' frame led to the perception of them as such. These findings indicate that censorship and the subsequent labelling of certain songs as 'problematic' might itself cause these songs to have deleterious effects on listeners.
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http://dx.doi.org/10.1016/j.adolescence.2004.09.003 | DOI Listing |
J Voice
January 2025
Faculty of Design, Kyushu University, 4-9-1 Shiobaru, Minami-ku, Fukuoka 815-8540, Japan.
Introduction: Vocal distortion, also known as a scream or growl, is used worldwide as an essential technique in singing, especially in rock and metal, and as an ethnic voice in Mongolian singing. However, the production mechanism of vocal distortion is not yet clearly understood owing to limited research on the behavior of the larynx, which is the source of the distorted voice.
Objectives: This study used high-speed digital imaging (HSDI) to observe the larynx of professional singers with exceptional singing skills and determine the laryngeal dynamics in the voice production of various vocal distortions.
Mod Br Hist
January 2025
Centre for Urban History, University of Leicester, Leicester LE1 7RH, United Kingdom.
The explosion of pop culture in Britain between the late 1950s and the late sixties is usually taken to have been an urban phenomenon. Pop was the 'sound of the city' in Britain as much as America. But what kind of 'urban' was involved-big city, small town, centre, suburb? What kind of geographical reach did pop have across the different parts of the United Kingdom in the 1960s? What was the significance of London in a cultural movement that was simultaneously national and international? Understanding where pop was made and performed in its formative years helps explain why it took off so spectacularly in sixties Britain; it illuminates why post-war Britain was so receptive to and generative of pop music as well as the music's nationwide appeal.
View Article and Find Full Text PDFBehav Sci (Basel)
November 2024
Department of Cultural & Arts Management, Sangmyung University, Cheonan-si 31066, Chungcheongnam-do, Republic of Korea.
This study examines the influence of K-pop consumers' (online/offline) fandom activities on their happiness and their contemporary Christian music (CCM) listening intention and does so considering two base theories: activity theory and the content theory of motivation. In this context, we also examine the influence of happiness and CCM listening intention on CCM loyalty (word of mouth/purchase). We focus on global consumers of K-pop (people with experience in online/offline K-pop fandom activities) from two countries: the US and the UK.
View Article and Find Full Text PDFJMIR Form Res
December 2024
Faculty of Social Sciences, University of Macau, Macau SAR, China.
Background: COVID-19 has posed a significant global threat to public health due to its high contagion risk and lack of effective treatment. While quarantine measures have been crucial in controlling the virus' spread, they have also contributed to negative impacts on individuals' mental health. Music listening has emerged as a potential coping mechanism, yet it remains unclear whether mental well-being varies across music preferences.
View Article and Find Full Text PDFR Soc Open Sci
November 2024
Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Voice preferences are an integral part of interpersonal interactions and shape how people connect with each other. While a large number of studies have investigated the mechanisms behind (speaking) voice attractiveness, very little research was dedicated to other types of vocalizations. In this Registered Report, we proposed to investigate voice preferences with an integrative approach.
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