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Mind as text: Freud's "typographical" model of the mind.
Int J Psychoanal
April 2019
Clinical Assistant Professor, Department of Psychiatry and Center for Psychoanalytic Teaching and Research, Columbia University Vagelos College of Physicians and Surgeons, New York, USA.
All publications in Freud's fin de siècle society were subject to strict governmental censorship specifically tasked with distinguishing "real" academic scholarship from subversive "fictions" masquerading as such. Cures that relied on suggestion also became a target of mistrust. This contextualization, alongside the examination of Freud's literary references and a variety of other literary texts, encourages the conjecture that realistic concerns over the risks of censorship and obscenity charges informed a proto-model of the topographical model, in which Freud conceptualized the mind as a subversive "manuscript" that must undergo "censorship" before it can be "published": a "typographical" model of the mind.
View Article and Find Full Text PDFReik, Schnitzler, Freud, and "The murderer": the limits of insight in psychoanalysis.
Psychoanal Rev
October 2013
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The author explores the relationships of three major figures: Theodor Reik, Arthur Schnitzler, and Sigmund Freud. He considers how Schnitzler's novella "The Murderer" impacted Reik's life in terms of both Freud's reference to the story in a session with Reik and the parallels between Reik's life and the plot of the story.
View Article and Find Full Text PDFOn the basis of mostly unpublished sources, the author reconstructs the life of the Hungarian writer Viktor von Dirsztay (1884?-1935) who was personally acquainted with many expressionist artists and writers, e. g. with Karl Kraus, Oskar Kokoschka, Herwarth Walden, Walter Hasenclever, Hermann Broch and Arthur Schnitzler.
View Article and Find Full Text PDF"Behind the poetic fiction": Freud, Schnitzler and feminine subjectivity.
Psychoanal Hist
September 2011
In 1922 Sigmund Freud wrote to fellow Viennese author and dramatist Arthur Schnitzler: "I believe I have avoided you out of a sort of fear of my double." Through a series of reflections on this imagined doubling and its reception, this paper demonstrates that the ambivalent desire for his literary other attested by Freud's confession goes to the heart of both theoretical and historical questions regarding the nature of psychoanalysis. Bringing Schnitzler's resistance to Freud into conversation with attempts by psychoanalytically oriented literary scholars to affirm the "Doppengängertum" of the two men, it argues that not only psychoanalytic theories and modernist literature but also the tendency to identify the two must be treated as historical phenomena.
View Article and Find Full Text PDF[The phenomenon of deja vu in psychopathology and literature].
Minerva Psichiatr
June 1996
Università Cattolica del Sacro Cuore, Istituto di Psichiatria e Psicologia, Roma.
In this paper we attempted to review the concept of déjà vu. Déjà vu is a common experience in life and it is largely described in psychopathology and in artistic literature. Starting descriptions of writers like Camus, D'Annunzio, Simeon, Bunuel, Schnitzler, Dickens we propose a first phenomenological way of reading of déjà vu experience referring to the different hypotheses in psychopathology: a memory disorder, perception disorder, attentional disorder, considering the phenomenon as a consciousness disorder according to Ey's theories.
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