The behavior of standing waves near the end of an open pipe with low mean flow.

The acoustic standing wave near the end of an open pipe is investigated using spectrally analyzed high-speed transmission electronic speckle pattern interferometry. It is shown that the standing wave extends beyond the open end of the pipe and the amplitude decays exponentially with distance from the end. Additionally, a pressure node is observed near the end of the pipe in a position that is not spatially periodic with the other nodes in the standing wave.

Space Launch System acoustics: Far-field noise measurements of the Artemis-I launch.

To improve understanding of super heavy-lift rocket acoustics, this letter documents initial findings from noise measurements during liftoff of the Space Launch System's Artemis-I mission. Overall sound pressure levels, waveform characteristics, and spectra are described at distances ranging from 1.5 to 5.

Computational determination of transition times using the measured mouthpiece pressure from soprano and bass clarinet players.

This study offers a metric to investigate transition times between articulated notes for reed instruments such as clarinets and bass clarinets. The method requires analysis of measurements of musician mouthpiece pressure. For this paper, the data were recorded using sensor-equipped mouthpieces made for the clarinet and bass clarinet.

A method for automatic detection of tongued and slurred note transitions in clarinet playing.

This study offers a simple method to characterize two transition types in passages of music in order to automatically distinguish slurred transitions from tongued transitions in musical settings. Data were recorded from musicians playing a clarinet with a sensor-equipped mouthpiece measuring blowing pressure in the mouth and pressure in the mouthpiece. This method allows for comparing transitions in different musical contexts, playing regimes, and between players.

Predicting playing frequencies for clarinets: A comparison between numerical simulations and simplified analytical formulas.

When designing a wind instrument such as a clarinet, it can be useful to be able to predict the playing frequencies. This paper presents an analytical method to deduce these playing frequencies using the input impedance curve. Specifically there are two control parameters that have a significant influence on the playing frequency, the blowing pressure and reed opening.