Through 3 studies, we investigated whether angularity and roundness present in faces contributes to the perception of anger and joyful expressions, respectively. First, in Study 1 we found that angry expressions naturally contain more inward-pointing lines, whereas joyful expressions contain more outward-pointing lines. Then, using image-processing techniques in Studies 2 and 3, we filtered images to contain only inward-pointing or outward-pointing lines as a way to approximate angularity and roundness.
View Article and Find Full Text PDFFearful faces convey threat cues whose meaning is contextualized by eye gaze: While averted gaze is congruent with facial fear (both signal avoidance), direct gaze (an approach signal) is incongruent with it. We have previously shown using fMRI that the amygdala is engaged more strongly by fear with averted gaze during brief exposures. However, the amygdala also responds more to fear with direct gaze during longer exposures.
View Article and Find Full Text PDFIn many social situations, we make a snap judgment about crowds of people relying on their overall mood (termed "crowd emotion"). Although reading crowd emotion is critical for interpersonal dynamics, the sociocultural aspects of this process have not been explored. The current study examined how culture modulates the processing of crowd emotion in Korean and American observers.
View Article and Find Full Text PDFIn crowds, where scrutinizing individual facial expressions is inefficient, humans can make snap judgments about the prevailing mood by reading "crowd emotion". We investigated how the brain accomplishes this feat in a set of behavioral and fMRI studies. Participants were asked to either avoid or approach one of two crowds of faces presented in the left and right visual hemifields.
View Article and Find Full Text PDFAccording to the facial feedback hypothesis, people's affective responses can be influenced by their own facial expression (e.g., smiling, pouting), even when their expression did not result from their emotional experiences.
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