Publications by authors named "Stephen J Cowley"

Epistemic engineering arises as systems and their parts develop functionality that is construed as valid knowledge. By hypothesis, epistemic engineering is a basic evolutionary principle. It ensures that not only living systems identify the differences that make differences but also ensure that distributed control enables them to epistemic change.

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We trace reading to an embodied synthetic process that drives the rapid scales of imagining. As sensorimotor engagement with written artifacts permeates experience, it sharpens the sensibility that brings forth understanding. We thus trace material engagement with written artifacts to fine control over saccadic eye movements and voicing that draws on humans or what the Greeks knew as .

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In this paper, we turn to languaging, defined here as activity in which wordings play a part. On such a view, while activity is paramount, people also orient to acts of vocalization as wordings. These physical wordings can be used as tools that shape attending, with recourse to neither mental representations nor symbols that store and transmit information.

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Peer-review is neither reliable, fair, nor a valid basis for predicting 'impact': as quality control, peer-review is not fit for purpose. Endorsing the consensus, I offer a reframing: while a normative social process, peer-review also shapes the writing of a scientific paper. In so far as 'cognition' describes enabling conditions for flexible behavior, the practices of peer-review thus constrain knowledge-making.

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USING RADICAL EMBODIED COGNITIVE SCIENCE, THE PAPER OFFERS THE HYPOTHESIS THAT LANGUAGE IS SYMBIOTIC: its agent-environment dynamics arise as linguistic embodiment is managed under verbal constraints. As a result, co-action grants human agents the ability to use a unique form of phenomenal experience. In defense of the hypothesis, I stress how linguistic embodiment enacts thinking: accordingly, I present auditory and acoustic evidence from 750 ms of mother-daughter talk, first, in fine detail and, then, in narrative mode.

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