Electron energy loss spectroscopy elucidates the elusive darkening of zinc potassium chromate in Georges Seurat's A Sunday on La Grande Jatte--1884.

The color darkening of selected brushstrokes of Georges Seurat's A Sunday on La Grande Jatte--1884 was noted as early as 1892. Artificial aging of model systems containing zinc yellow (K(2)O·4ZnCrO(4)·3H(2)O) mixed with linseed oil successfully replicated the phenomena observed on La Grande Jatte. Electron energy loss spectroscopy measurements performed on the uppermost few microns of thin sections of the paint layers (obtained with focused ion beam milling) determined that samples which turned olive green (aged at 90% RH, with SO(2) and light) contain mostly the altered species Cr(III) and that the ochre-yellow coloration of specimens aged at 50% RH with SO(2) and light is due to the presence of dichromate ions (Cr (VI)).