The effect of long-term exposure to microgravity on the perception of upright.

Going into space is a disorienting experience. Many studies have looked at sensory functioning in space but the multisensory basis of orientation has not been systematically investigated. Here, we assess how prolonged exposure to microgravity affects the relative weighting of visual, gravity, and idiotropic cues to perceived orientation.

Asymmetrical representation of body orientation.

The perceived orientation of objects, gravity, and the body are biased to the left. Whether this leftward bias is attributable to biases in sensing or processing vestibular, visual, and body sense cues has never been assessed directly. The orientation in which characters are most easily recognized--the perceived upright (PU)--can be well predicted from a weighted vector sum of these sensory cues.

Enhancing visual cues to orientation: suggestions for space travelers and the elderly.

Establishing our orientation in the world is necessary for almost all aspects of perception and behavior. Gravity usually defines the critical reference direction. The direction of gravity is sensed by somatosensory detectors indicating pressure points and specialized organs in the vestibular system and viscera that indicate gravity's physical pull.

Perceptual upright: the relative effectiveness of dynamic and static images under different gravity States.

The perceived direction of up depends on both gravity and visual cues to orientation. Static visual cues to orientation have been shown to be less effective in influencing the perception of upright (PU) under microgravity conditions than they are on earth (Dyde et al., 2009).

The effect of altered gravity states on the perception of orientation.

We measured the effect of the orientation of the visual background on the perceptual upright (PU) under different levels of gravity. Brief periods of micro- and hypergravity conditions were created using two series of parabolic flights. Control measures were taken in the laboratory under normal gravity with subjects upright, right side down and supine.

The influence of retinal and extra-retinal motion cues on perceived object motion during self-motion.

Eye, head, and body movement are intimately linked. During self-motion, the eyes track objects by a combination of vestibular reflexes and smooth pursuit eye movements but although the world appears stable during saccadic gaze changes, it does not appear stable during physical self-motion. We determined the amount by which a fixated object needed to be moved in space in order to appear earth stationary to a linearly moving observer.

The subjective visual vertical and the perceptual upright.

The direction of 'up' has traditionally been measured by setting a line (luminous if necessary) to the apparent vertical, a direction known as the 'subjective visual vertical' (SVV); however for optimum performance in visual skills including reading and facial recognition, an object must to be seen the 'right way up'--a separate direction which we have called the 'perceptual upright' (PU). In order to measure the PU, we exploited the fact that some symbols rely upon their orientation for recognition. Observers indicated whether the symbol 'horizontal P' presented in various orientations was identified as either the letter 'p' or the letter 'd'.

Is an internal model of head orientation necessary for oculomotor control?

In order to test whether the control of eye movement in response to head movement requires an internal model of head orientation or instead can rely on directly sensing information about head orientation and movement, perceived gravity was separated from physical gravity to see which dominated the eye-movement response. Internal model theory suggests that the oculomotor response should be driven by perceived, internalized gravity, whereas the direct sensing theory predicts it should always be driven by vestibularly sensed gravity. Subjects lay on an airbed either supine or on their side and were sinusoidally translated along their dorsoventral body axis.

Shape-from-shading depends on visual, gravitational, and body-orientation cues.

The perception of shading-defined form results from an interaction between shading cues and the frames of reference within which those cues are interpreted. In the absence of a clear source of illumination, the definition of 'up' becomes critical to deducing the perceived shape from a particular pattern of shading. In our experiments, twelve subjects adjusted the orientation of a planar disc painted with a linear luminance gradient from one side to the other, until the disc appeared maximally convex-that is, until the luminance gradient induced the maximum perception of a three-dimensional shape.

Two illusions of perceived orientation: one fools all of the people some of the time; the other fools all of the people all of the time.

In a series of three separate experiments, we studied two different orientation illusions, in both of which vertical lines appear tilted as a result of being set against a tilted background pattern. The 'simultaneous tilt illusion' (STI), in which a target grating is viewed within an abutting tilted grating surround, is thought to originate early in the cortical processing of visual contours. In contrast, the 'rod-and-frame' illusion (RFI), which is induced by a distant tilted frame, is thought to originate much later in the perceptual processing system.