The mechanism of H and D atom loss, following ultraviolet photolysis of methylamine-d(3), CD(3)NH(2), has been studied via electronic action and Doppler spectroscopies. The N-H bond is preferentially cleaved and the yield of both H and D photofragments increases gradually, but differently, as higher vibrational states on the first excited electronic state, A, are accessed, leading to some drop in H/D branching ratios. The average translational energies of the H photofragments are somewhat higher than those of D, implying lower energy content left in the internal degrees of freedom of the CD(3)NH than in the CD(2)NH(2) partner fragment.
View Article and Find Full Text PDFThe probability of hydrogen atom release, following photoexcitation of methylamine, CH(3)NH(2), is found to increase extensively as higher vibrational states on the first excited electronic state are accessed. This behavior is consistent with theoretical calculations, based on the probability of H atom tunneling through an energy barrier on the excited potential energy surface, implying that N-H bond breaking is dominated by quantum tunneling.
View Article and Find Full Text PDFThe N-H and C-D bond fission in partially deuterated methylamine, CD(3)NH(2), has been investigated using vibrationally mediated photodissociation. Jet-cooled action spectra and Doppler profiles of the H and D photofragments were monitored following approximately 243.1 nm photodissociation of the parent pre-excited to two, three or four N-H stretch quanta.
View Article and Find Full Text PDFThe vibrational pattern and energy flow in the N-H stretch manifolds and the dissociation dynamics of methylamine (CH(3)NH(2)) were investigated via vibrationally mediated photodissociation. Action spectra and Doppler profiles, reflecting the yield of the ensuing H photofragments, versus near infrared/visible vibrational excitation and UV excitation, respectively, were measured. The jet-cooled action spectra and the simultaneously measured room temperature photoacoustic spectra of the first to third N-H stretching overtones exhibit broad features, somewhat narrower in the former, consisting of barely recognized multiple bands.
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