Contested duplicates: disputed negotiations surrounding ethnographic doppelgängers in German New Guinea, 1898-1914.

The issue of duplicates and duplication in ethnographic collection is frequently regarded as a process that begins and ends in the museum as a fundamental act of the process of curating. In contrast, this article maintains, this practice occurred all along the chain of collecting, where indigenous artefacts operated as items of exchange in the context of the colonial encounter. Using the example of German New Guinea, the article maintains that epistemological concerns, as symbolic currency both in terms of inter-museum exchange and in terms of contributing to individual and institutional prestige, guiding ethnographic intuitions had little influence on colonial resident collectors.