Mary Todd Lincoln, Elizabeth Keckley, and America's Psychiatric Republic.

This article reveals how Elizabeth Keckley framed American citizenship as a psychiatric rather than political category. In Behind the Scenes (1868), Keckley emblematizes Mary Todd Lincoln's "scandalous" behavior to describe and critique what I call the psychiatric republic: a politico-economic paradigm that paradoxically condemns women as mad, often for expressing the very traits required of men elected to public office, while simultaneously positing feminine virtues as foundational for republican citizenship. Focusing on how notions of civic femininity were originally linked to psychiatric nosology, I show how nineteenth-century women were circumscribed temporally in a seemingly inescapable loop of diagnosis, treatment, and moral refinement.