Search for Leptonic Decays of Dark Photons at NA62.

The NA62 experiment at CERN, configured in beam-dump mode, has searched for dark photon decays in flight to electron-positron pairs using a sample of 1.4×10^{17} protons on dump collected in 2021. No evidence for a dark photon signal is observed.

- a Risk Mitigation Tool for Agriculture Workers.

The agriculture industry lacks novel techniques for analyzing risks facing its workers. Although injuries are common in this field, existing datasets and tools are insufficient for risk assessment and mitigation for two primary reasons: they provide neither immediate nor long-term risk mitigation advice, and they do not account for hazards which fluctuate daily. The purpose of is to collect safety data about hazards on farms and produce risk analysis and mitigation reports.

Observation of Collider Muon Neutrinos with the SND@LHC Experiment.

We report the direct observation of muon neutrino interactions with the SND@LHC detector at the Large Hadron Collider. A dataset of proton-proton collisions at sqrt[s]=13.6  TeV collected by SND@LHC in 2022 is used, corresponding to an integrated luminosity of 36.

Standardized tissue sampling guidelines for histopathological and molecular analyses of rainbow trout (Oncorhynchus mykiss) in ecotoxicological studies.

In ecotoxicology, evaluation of toxicities and no observed effect concentrations (NOEC) of test compounds in experimental fish is commonly based on molecular-, biochemical- and analytical chemistry analyses of organ/tissue samples and the assessment of (histo-) pathological lesions. Standardization of organ/tissue sampling locations, sample numbers, and sample processing contributes to warrant the reproducibility and inter- and intra-study comparability of analysis results. The present article provides the first comprehensive tissue sampling guidelines specifically adapted to rainbow trout (Oncorhynchus mykiss) as a frequently used fish species in ecotoxicological studies.

Listening to Contemporary Art Music: A Morphodynamic Model of Cognition.

This paper proposes that the perceptual and cognitive mechanisms involved when listening to certain genres within "sound-based" music, such as post-spectralism, glitch-electronica, and electroacoustic music and in various areas of sound art, are best understood within a connectionist cognitive framework described by morphodynamic theory. By analysing the specific characteristics of sound-based music, it is explored how this kind of music works at perceptual and cognitive levels. The sound patterns found in these pieces engage listeners more readily at a phenomenological level rather than through establishing long-term conceptual associations.