Publications by authors named "Paul Luizard"

Human vocal folds are highly deformable non-linear oscillators. During phonation, they stretch up to 50% under the complex action of laryngeal muscles. Exploring the fluid/structure/acoustic interactions on a human-scale replica to study the role of the laryngeal muscles remains a challenge.

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To investigate the influence of room acoustics on singing, four lyrical singers (soprano, mezzo-soprano, tenor, baritone) performed four musical pieces in eight different venues (from dry studio to reverberant church). In addition to vocal intensity measured by a near-field microphone, glottal behavior (vibratory fundamental frequency and contact quotient) was assessed by electroglottography. Statistical linear mixed models showed that the variance in vocal performance was partly explained by room acoustics.

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A classical singing performance occurring in different rooms is likely to vary for different reasons. This study investigates to which extent this variation is due to different acoustic conditions. To analyse the performance of four singers rendering four musical pieces in eight different rooms, room acoustical parameters were used to predict musical performance features extracted from recordings based on linear mixed-effects models.

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Among vocal fold diseases, the presence of a surface growth is often encountered and can be considered a public health issue. While more energy is required to achieve phonation than in healthy cases, this situation can lead to a wide range of voice perturbations, from a change of voice quality to aphonia. The present study aims at providing finer comprehension of the physical phenomena underlying this type of pathological phonation process.

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This article presents an analysis of entrained oscillations of the right and left vocal folds in the presence of asymmetries. A simple one-mass model is proposed for each vocal fold. A stiffness asymmetry and open glottis oscillations are considered first, and regions of oscillation are determined by a stability analysis and an averaging technique.

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Reverberation highly influences sound perception in enclosed spaces. The reverberation time (RT) metric, used to quantify reverberation in single volumes, is inappropriate for coupled spaces characterized by non-exponential double-slope energy decays. Previous research on reverberation perception of double-slope decays has been predominantly based on varying basic impulse response characteristics such as decay times corresponding to reverberation times of individual volumes presented as independent variables.

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Acoustical coupling between architectural spaces can be implemented by sliding or hinged doors. This study compares the effects of these variable coupling area designs on the sound field using temporal energy decay curve analysis. Varying the aperture size alters the multi-slope decay curve properties such as the decay rate of each slope and their point of intersection (time and level).

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Sound field behavior in performance spaces is a complex phenomenon. Issues regarding coupled spaces present additional concerns due to sound energy exchanges. Coupled volume concert halls have been of increasing interest in recent decades because this architectural principle offers the possibility to modify the hall's acoustical environment in a passive way by modifying the coupling area.

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