Good musical abilities are typically considered to be a consequence of music training, such that they are studied in samples of formally trained individuals. Here, we asked what predicts musical abilities in the absence of music training. Participants with no formal music training ( = 190) completed the Goldsmiths Musical Sophistication Index, measures of personality and cognitive ability, and the Musical Ear Test (MET).
View Article and Find Full Text PDFWe sought to determine whether an objective test of musical ability could be successfully administered online. A sample of 754 participants was tested with an online version of the Musical Ear Test (MET), which had Melody and Rhythm subtests. Both subtests had 52 trials, each of which required participants to determine whether standard and comparison auditory sequences were identical.
View Article and Find Full Text PDFThe coronavirus disease 2019 (COVID-19) pandemic has had profound effects on all aspects of society. Families were among those directly impacted by the first measures imposed by health authorities worldwide to contain the spread of the Sars-CoV-2 virus, where social distancing and mandatory quarantine were the main approaches implemented. Notably, little is yet known about how social distancing during COVID-19 has altered families' daily routines, particularly regarding music-related behaviors.
View Article and Find Full Text PDFExp Brain Res
October 2020
The development of methods to analyze data acquired using functional near-infrared spectroscopy (fNIRS) in experiments similar to real-life situations is of great value in modern applied neuroscience. One of the most used methods to analyze fNIRS signals consists of the application of the general linear model on the observed hemodynamic signals. However, it implies limitations on the experimental design that must be constrained by triggers related to the stimuli protocols (such as block design or event related).
View Article and Find Full Text PDFDue to movement automatization, the engagement of high-order cognitive processing during the motor execution of a task is expected to decrease over repetitions and practice. In this study, we assessed single session changes in the prefrontal hemodynamic signals in response to training a piano chord progression in an ecological experimental setting. We acquired functional near-infrared spectroscopy signals from 15 subjects without any previous experience on playing keyboard instruments.
View Article and Find Full Text PDFMusic played in ensembles is a naturalistic model to study joint action and leader-follower relationships. Recently, the investigation of the brain underpinnings of joint musical actions has gained attention; however, the cerebral correlates underlying the roles of leader and follower in music performance remain elusive. The present study addressed this question by simultaneously measuring the hemodynamic correlates of functional neural activity elicited during naturalistic violin duet performance using fNIRS.
View Article and Find Full Text PDFAssessing the neural correlates of motor and cognitive processes under naturalistic experimentation is challenging due to the movement constraints of traditional brain imaging technologies. The recent advent of portable technologies that are less sensitive to motion artifacts such as Functional Near Infrared Spectroscopy (fNIRS) have been made possible the study of brain function in freely-moving participants. In this paper, we describe a series of proof-of-concept experiments examining the potential of fNIRS in assessing the neural correlates of cognitive and motor processes in unconstrained environments.
View Article and Find Full Text PDFQ J Exp Psychol (Hove)
October 2016
Nonmusicians remember vocal melodies (i.e., sung to la la) better than instrumental melodies.
View Article and Find Full Text PDFBackground: Absolute pitch (AP) is the ability to identify or produce isolated musical tones. It is evident primarily among individuals who started music lessons in early childhood. Because AP requires memory for specific pitches as well as learned associations with verbal labels (i.
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