The dual influence of the reed resonance frequency and tonehole lattice cutoff frequency on sound production and radiation of a clarinet-like instrument.

The internal and external spectra of woodwind reed instruments are partially determined by the tonehole lattice cutoff and reed resonance frequencies. Because they can impact the spectrum in similar ways, a study of one without accounting for the other risks incomplete or false conclusions. Here, the dual effects of the cutoff and reed resonance frequencies are investigated using digital synthesis with clarinet-like academic resonators.

Characterization of open woodwind toneholes by the tube reversed method.

Woodwind tonehole's linear behavior is characterized by two complex quantities: the series and shunt acoustic impedances. A method to determine experimentally these two quantities is presented for the case of open toneholes. It is based on two input impedance measurements.

Woodwind instrument design optimization based on impedance characteristics with geometric constraints.

Computational optimization algorithms coupled with acoustic models of wind instruments provide instrument makers with an opportunity to explore new designs. Specifically, they enable the automatic discovery of geometries exhibiting desired resonance characteristics. In this paper, the design optimization of woodwind instruments with complex geometrical features (e.

Multiple two-step oscillation regimes produced by the alto saxophone.

A saxophone mouthpiece fitted with sensors is used to observe the oscillation of a saxophone reed, as well as the internal acoustic pressure, allowing to identify qualitatively different oscillating regimes. In addition to the standard two-step regime, where the reed channel successively opens and closes once during an oscillation cycle, the experimental results show regimes featuring two closures of the reed channel per cycle, as well as inverted regimes, where the reed closure episode is longer than the open episode. These regimes are well-known on bowed string instruments and some were already described on the Uilleann pipes.

The effect of the cutoff frequency on the sound production of a clarinet-like instrument.

The input impedance of woodwind instruments is characterized by at least two bands due to the lattice of open toneholes, a stop band at low frequencies, and a pass band at higher frequencies where the acoustic energy is able to propagate past the first open tonehole and into the lattice. The cutoff frequency that separates these two bands is an approximate value that is determined by the geometry of the lattice of open toneholes. It is expected that the frequency at which the stop band transitions to the pass band affects the sound produced by the instrument, but it is not known how this frequency affects the competition between self-sustained oscillation and radiation.