We contest the claim that musically induced sadness cannot be enjoyable in itself. This possibility is supported by closer attention to a musical experience as well as cases of affective reversal, such as the "hedonic flip" of painful feelings. We propose that the affective reversal of sadness in music is due to the high granularity of musically induced emotion.
View Article and Find Full Text PDFCognitive science of the last half-century has been dominated by the computational theory of mind and its picture of thought as information processing. Taking this picture for granted, the most prominent evolutionary theories of religion of the last fifteen years have sought to understand human religiosity as the product or by-product of universal information processing mechanisms that were adaptive in our ancestral environment. The rigidity of such explanations is at odds with the highly context-sensitive nature of historical studies of religion, and thus contributes to the apparent tug-of-war between scientific and humanistic perspectives.
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