Does current music therapy practice address the goals encapsulated in the UK Department of Health document, Living well with dementia: a national dementia strategy (the Dementia Strategy) published in 2009? A survey elicited the views of clients, family members, music therapists, care home staff and care home managers, about this question by focusing on the relationship between music therapy and the 17 objectives outlined in the Dementia Strategy. The results showed that the objectives that are related to direct activity of the music therapists (such as care and understanding of the condition) were seen as most fulfilled by music therapy, while those regarding practicalities (such as living within the community) were seen as least fulfilled. Although the responses from the four groups of participants were similar, differences for some questions suggest that people's direct experience of music therapy influences their views.
View Article and Find Full Text PDFIncreased interest in, and demand for, music therapy provision for persons with dementia prompted this study's exploration of music therapists' strategies for creating musical communities in dementia care settings, considering the needs and resources of people affected by dementia. Focus group discussions and detailed iterative study of improvisational music therapy work by six experienced practitioners clarify the contextual immediacy and socio-musical complexities of music therapy in dementia care homes. Music therapy's 'ripple effect', with resonances from micro (person-to-person musicking), to meso (musicking beyond 'session time') and macro level (within the care home and beyond), implies that all who are part of the dementia care ecology need opportunities for flourishing, shared participation, and for expanded self-identities; beyond 'staff', 'residents', or 'being in distress'.
View Article and Find Full Text PDFThis collaborative practitioner research study emerged from music therapists' concerns about the value of improvisational, music-centred music therapy for young adults with severe learning disabilities (SLDs), given the long-term nature of such work. Concerns included the relevance, in this context, of formulating, and reporting on, therapeutic aims, development, change; and working in 'goal-oriented' way. Focus groups with the young adults' families and a range of professionals suggest that, rather than leading to developmental change, long-term shared therapeutic musicking provides young adults with ongoing opportunities for experiencing confidence and self-esteem, with feelings of shared acceptance and success, and also provides young adults and their families with opportunities for developing and sustaining friendships.
View Article and Find Full Text PDFThis paper challenges the "intervention-as-solution" approach to health and well-being as commonly practised in the international development sector, and draws on the disciplinary intersections between Community Music Therapy and ethnomusicology in seeking a more negotiated and situationally apposite framework for health engagement. Drawing inspiration from music-based health applications in conflict or post-conflict environments in particular, and focusing on case studies from Lebanon and South Sudan respectively, the paper argues for a re-imagined international development health and well-being framework based on the concept of Defined by composer Pauline Oliveros as listening which "digs below the surface of what is heard … unlocking layer after layer of imagination, meaning, and memory down to the cellular level of human experience" (Oliveros, 2005), the paper explores the methodological applications of such a dialogic, discursive approach with reference to a range of related listening stances - cultural, social and therapeutic. In so doing, it explores opportunities for multi-levelled and culturally inclusive health and well-being practices relevant to different localities in the world and aimed at the re-integration of self, place and community.
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